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120+ Obras 21,551 Miembros 272 Reseñas 114 Preferidas

Sobre El Autor

When the National Theatre needed a last-minute substitute for a canceled production of As You Like It, Kenneth Tynan decided to stage Rosencrantz and Guildenstern Are Dead, a work by an unfamiliar author that had received discouraging notices from provincial critics at its Edinburgh Festival debut. mostrar más Of course, the play, when it opened in April 1967, met with universal acclaim. In New York the next year, it was chosen best play by the Drama Critics Circle. In such an unlikely way, Tom Stoppard came to light. Born in Czechoslovakia, a country he left (for Singapore) when he was an infant, he began his literary career as a journalist in Bristol, where play reviewing led to playwriting. After Rosencrantz and Guildenstern, Stoppard's reputation suffered through the production of a number of minor works, whose intellectual preoccupations were shrugged off by reviewers: Enter a Free Man (1968; "an adolescent twinge of a play," N.Y. Times), The Real Inspector Hound (1968; "lightweight," N.Y. Times), and After Magritte. But in the 1970s, the initial enthusiasms aroused by Rosencrantz and Guildenstern were more than vindicated by the production of two full-length plays, Jumpers (1974) and the antiwar play Travesties (1975), whose immense verbal and theatrical inventiveness made them absolute successes on both sides of the Atlantic. Stoppard's method from the start has been to contrive explanations for highly unlikely encounters---of objects (the ironing board, old lady, and bowler hat of After Magritte), characters (Joyce, Lenin, and Tzara in Travesties), and even plays (Hamlet, Rosencrantz and Guildenstern, The Importance of Being Earnest, Travesties, and The Real Thing, 1982). In the 1970s, Tynan called for Stoppard---as a Czech and as an artist---to engage himself politically. But although political subjects have since found their way into pieces from Every Good Boy Deserves Favor (1977) to Squaring the Circle (1985), politics and art seem to have become just two more of the playwright's irreconcilables, which meet, but never join, in the logical frames of his comedy. The presence of political material---such as the Lenin sections that nearly ruin the second part of Travesties---has occasionally strained the structure of the plays. But in The Real Thing Stoppard is comfortable enough with the satire on art and activism to bring a third subject, love, into the mix. Stoppard has acknowledged his Eastern European heritage nonpolitically, in a series of adaptations of plays by Arthur Schnitzler (see Vol. 2), Johann Nestroy, and Ferenc Molnar. (Bowker Author Biography) Tom Stoppard is the author of many plays, including Rosencrantz and Guildenstern Are Dead, Jumpers, Travesties, and The Invention of Love. He lives in London. (Publisher Provided) mostrar menos
Nota de desambiguación:

(dut) The author was born as Tomas Straussler. After the death of his father, his mother married the Brittish Major Stoppard, and Tom since accepted his name.

Series

Obras de Tom Stoppard

Rosencrantz and Guildenstern Are Dead (1966) 8,071 copias, 91 reseñas
Arcadia (1993) 2,742 copias, 54 reseñas
Travesties (1974) 1,012 copias, 12 reseñas
The Real Thing (1982) 742 copias, 8 reseñas
The Invention of Love (1997) 716 copias, 9 reseñas
Jumpers (1972) 627 copias, 5 reseñas
Shakespeare In Love [1998 film] (1998) — Screenwriter — 510 copias, 9 reseñas
Tom Stoppard Plays 5 (1999) 419 copias, 5 reseñas
The Coast of Utopia: Voyage, Shipwreck, Salvage (2003) 400 copias, 2 reseñas
Brazil [1985 film] (1985) — Screenwriter — 367 copias, 4 reseñas
The Real Inspector Hound (1976) 322 copias, 6 reseñas
Rock 'n' Roll: A New Play (2006) 318 copias, 8 reseñas
Shakespeare in Love: A Screenplay (1998) 293 copias, 3 reseñas
Lord Malquist & Mr Moon (1966) 240 copias, 1 reseña
Hapgood (1988) 202 copias, 5 reseñas
Indian Ink (1995) 197 copias, 3 reseñas
Night and Day (1978) 178 copias, 2 reseñas
Voyage: The Coast of Utopia, Part I (2002) 175 copias, 3 reseñas
El Imperio del Sol = Empire of the sun [Film] (1987) — Screenwriter — 150 copias, 3 reseñas
Shipwreck: The Coast of Utopia, Part II (2002) 142 copias, 3 reseñas
Salvage: The Coast of Utopia, Part III (2002) 132 copias, 1 reseña
Rashomon; A Drama in Two Acts (1959) 123 copias, 1 reseña
Rosencrantz & Guildenstern are Dead [1990 film] (1990) — Director — 121 copias
Dogg's Hamlet, Cahoot's Macbeth (1979) 119 copias, 2 reseñas
Anna Karenina (2012) — Screenwriter — 116 copias, 2 reseñas
Enter a Free Man (1968) 112 copias, 1 reseña
On the Razzle (1981) 108 copias, 1 reseña
Leopoldstadt (2020) 104 copias, 4 reseñas
Tom Stoppard Plays 4 (1999) 95 copias
The Hard Problem (2015) 84 copias, 2 reseñas
Parade's End (2012) 72 copias, 1 reseña
After Magritte (1971) 71 copias
Conversations with Stoppard (1995) 69 copias
Enigma [2001 film] (2002) — Screenwriter — 66 copias, 2 reseñas
Rough Crossing (1985) 66 copias
The Russia House [1990 film] (1990) — Screenwriter — 55 copias
Albert's Bridge (1969) 37 copias
In the Native State (1991) 33 copias
Squaring the Circle (1985) 32 copias
If You're Glad I'll be Frank (1976) 31 copias, 1 reseña
Four Plays for Radio (1985) 26 copias
Tulip Fever [2017 film] (2017) — Screenwriter — 24 copias, 2 reseñas
A Separate Peace (1977) 15 copias
Darkside (2013) 14 copias, 1 reseña
Despair [1978 film] (1978) — Screenwriter — 13 copias, 3 reseñas
Billy Bathgate [1991 film] (1991) — Screenwriter — 12 copias
Poodle Springs [1998 film] (1998) — Writer — 7 copias
Professional Foul (1979) 7 copias
Tom Stoppard Radio Plays (2012) 5 copias
The Boundary (1991) 4 copias
Three Men in a Boat [1975 film] (1975) — Screenwriter — 4 copias
Modern One-act Plays (1993) 3 copias, 1 reseña
Galileo 3 copias
The coast of Utopia (2003) 1 copia
Pirandell's Henry IV 1 copia, 1 reseña
Travesties [theatre programme] — Contribuidor — 1 copia
Hapgood ; Rock and roll (2007) 1 copia
Penelope (2022) 1 copia
Dirty Linen 1 copia
Dogg's Hamlet 1 copia
Teeth 1 copia
The Radio Plays (2019) 1 copia
La invención del amor (2000) 1 copia

Obras relacionadas

El jardín de los cerezos (1904) — Adapter, algunas ediciones1,608 copias, 24 reseñas
La gaviota (1896) — Traductor, algunas ediciones1,138 copias, 20 reseñas
The Pleasure of Reading (1992) — Contribuidor — 189 copias, 8 reseñas
Nine Plays of the Modern Theater (1981) — Contribuidor — 185 copias, 1 reseña
Masterpieces of the Drama (1974) — Contribuidor — 180 copias, 2 reseñas
Ivanov (1974)algunas ediciones169 copias, 7 reseñas
Counting My Chickens . . .: And Other Home Thoughts (2001) — Introducción — 157 copias, 2 reseñas
La responsabilidad como destino (1987) — Traductor, algunas ediciones154 copias, 1 reseña
Henry IV (1922) — Traductor, algunas ediciones122 copias, 3 reseñas
Know the Past, Find the Future: The New York Public Library at 100 (2011) — Contribuidor — 118 copias, 3 reseñas
Granta 119: Britain (2012) — Contribuidor — 111 copias
Undiscovered Country (1911) — Traductor, algunas ediciones76 copias, 1 reseña
What's Your Story? Postcard Collection (2008) — Contribuidor — 62 copias, 3 reseñas
Modern and Contemporary Drama (1958) — Contribuidor — 43 copias, 1 reseña
Doing It: Five Performing Arts (2001) — Contribuidor — 19 copias
Contemporary one-act plays (1976) — Contribuidor — 17 copias
Another Sky: Voices of Conscience from Around the World (2007) — Introducción — 14 copias
The Best Plays Theater Yearbook 2007-2008 (2009) — Contribuidor — 6 copias, 1 reseña
The hard problem : 2015 [theatre programme] (2015) — Contribuidor — 2 copias

Etiquetado

Conocimiento común

Nombre legal
Straussler, Tomas
Stoppard, Tom
Otros nombres
Boot, William
Fecha de nacimiento
1937-07-03
Género
male
Nacionalidad
UK
Lugar de nacimiento
Zlín, Czechoslovakia
Lugares de residencia
Zlín, Czechoslovakia (birth)
Singapore
Darjeeling, India
Bristol, Gloucestershire, England, UK
London, England, UK
Educación
Mount Hermon School
Dolphin School, Nottinghamshire, England, UK
Pocklington School, Yorkshire, England, UK
Ocupaciones
playwright
screenwriter
translator
journalist
drama critic
Relaciones
Stoppard, Miriam (wife|divorced)
Organizaciones
Western Daily Press (reporter ∙ critic)
Bristol Evening World (feature writer ∙ humor columnist ∙ drama critic)
BBC Radio
Standpoint
Shakespeare Schools Festival
Index on Censorship (mostrar todos 9)
Amnesty International
Committee Against Psychiatric Abuse
The London Library (president)
Premios y honores
Order of Merit (2000)
Commander, Most Excellent Order of the British Empire (1978)
Knight Bachelor (1997)
Fellow, Royal Society of Literature (1972)
American Academy of Arts and Letters (2000)
Honorary Fellow, British Academy (2017) (mostrar todos 24)
PEN Pinter prize (2013)
David Cohen Prize (2017)
PEN/Allen Foundation Literary Service Award (2015)
America Award in Literature (2017)
Laurel Award for Screenwriting Achievement (2013)
American Theater Hall of Fame (1999)
BAFTA for Best Original Screenplay (1999)
Writers' Guild of Great Britain Award (2017)
Academy Award for Best Original Screenplay (1998)
The London Library (2002)
Tony Award for Best Play (1968, 1976, 1984, 2007, 2023)
Laurence Olivier Award (1994, 2006, 2020)
John Whiting Award (1967)
Golden Globe for Best Screenplay (1998)
Dan David Prize (2008)
Honorary doctorate, Yale University (2000)
Honorary degree, Cambridge University (2000)
Honorary Patronage, University Philosophical Society, Trinity College, Dublin
Agente
Anthony Jones (PFD)
Biografía breve
Tom Stoppard was born Tomáš Straussler to a Jewish family in Zlín, Czechoslovakia. With their parents Eugen Straussler, a doctor employed by the Bata shoe company, and Martha Becková, he and his brother fled the country in 1939 to escape Nazi occupation. \The family went to Singapore, where Bata had a factory. Tom, his mother and brother fled to Australia in 1941. Tom spent three years in a boarding school in Darjeeling, India. In 1945, his mother married Kenneth Stoppard. Tom attended the Dolphin School in Nottinghamshire, and later Pocklington School in Yorkshire. He left school at age 17 and began working as a journalist for the Western Daily Press in Bristol. IHe also wrote short radio plays and in 1960, moved to London and launched himself as a playwright with A Walk on the Water, later re-titled Enter a Free Man.
Aviso de desambiguación
The author was born as Tomas Straussler. After the death of his father, his mother married the Brittish Major Stoppard, and Tom since accepted his name.

Miembros

Reseñas

Sota una aparent senzillesa, complexitat. O potser al revés.
M'ha agradat tant que l'he tornat a començar. La torno a llegir.
Fascinant.
 
Denunciada
crsiaac | 53 reseñas más. | Jan 21, 2010 |

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Estadísticas

Obras
120
También por
24
Miembros
21,551
Popularidad
#999
Valoración
4.0
Reseñas
272
ISBNs
386
Idiomas
14
Favorito
114

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