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Cargando... Modern American Grotesque: Literature and Photographypor James Goodwin
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Modern American Grotesque by James Goodwin explores meanings of the grotesque in American culture and explains their importance within our literature and photography. What Flannery O'Connor said in the 1950s of American mass media--that the problem for a serious writer of the grotesque is "one of finding something that is not grotesque"--is incalculably truer today. Ask people what they find grotesque in the national scene and many will readily offer examples from tabloid journalism, extreme movie genres, reality shows, celebrity news, YouTube, and the like. As contemporary life is increasingly given over to such surface phenomena, it is an appropriate time to examine the more deeply rooted places of the grotesque as a literary and visual tradition over the last full century. A lineage of the modern grotesque evolved in the fiction of Sherwood Anderson, Nathanael West, and Flannery O'Connor, and the photography of Weegee and Diane Arbus. Each of these artists adopts the grotesque in order to recontextualize American culture and society and thereby to advance an attitude toward our collective history. To understand the deep structure of the grotesque Goodwin's book calls upon contexts that involve visual aesthetics, theories of comedy, prose stylistics, the technology of photography, ideas of reflexivity, and concepts of racial difference. No se han encontrado descripciones de biblioteca. |
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In both areas, Goodwin provides a careful overview, but also focuses in on some artists of the most interest as related to the Grotesque. Photographers given real focus include Diane Arbus and Weegee while writers given careful focus include Sherwood Anderson, Nathanael West, and Flannery O'Connor.
In the end, this book was informative and smartly put together. The author's clearly objective stance, and his attention to varying viewpoints and controversies, made the book a perfect overview of how ideas and presentations of the Grotesque have played a part in American art and literature, and how those developments came about. Notably, Goodwin also engaged in the question of what the Grotesque entails, and how the term has evolved over time. If I were to give one criticism, it would be that there is no mention of the Grotesque as playing a part in poetry or who those poets engaging with the concept might be; I also would have liked a brief look at how America's use of the Grotesque intersects or diverges from its appearance in other nations, but given the scope of this already ambitious work, that seems a small oversight considering the title of the work.
In the end, if you're interested at all in the subject as presented by the title of the work, you'll do yourself a favor in picking up this book. Once you get past the first chapter/introduction, you won't want to put it down. Highly recommended. ( )