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I Used to Live Here Once: The Haunted Life of Jean Rhys

por Miranda Seymour

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651408,067 (4.5)2
"Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction-above all, the extraordinary Wide Sargasso Sea-that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable-and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist"--… (más)
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For years, I kept hearing about this Jean Rhys and this novel Wide Sargasso Sea. I found a copy of the novel and finally read it, riveted. I loved her reimagining of the ‘mad wife’ in Jane Eyre, Bronte’s story turned into a social commentary about colonialism and the rejection of female sexuality.

That was twenty years or so ago. I knew nothing more about Rhys when I picked up this new biography, I Used To Live Here Once by Miranda Seymour. Her portrait of Rhys is unforgettable and complex, the story of a woman born too soon, who lived passionately and in seclusion, married unwisely for love, plummeted from wealth to poverty, and rose to fame to forgotten to lionized.

Seymour writes that “Rhys often said that she wrote about herself because that was all she knew,” and throughout the biography she demonstrates how Rhys’ characters were born of her experience, but also that they are born of Rhys’ imagination, and are not autobiographical clones. Rhys took what she knew, her Dominican childhood, her young adulthood as a chorus girl on tour, her bohemian life in Paris, her love affairs and marriages, and turned it into dark stories that publishers found too raw, unfit for a woman writer’s pen.

We met a woman who is damaged but determined, who bends to her weaknesses and shows incredible strength. Her beauty and charm lured men to want to possess her, then her violent temper dealt out blows. She walked away from an education to pursue the stage and yet wrote what the BBC identified as one of the ‘top 100 most influential novels.’

Her life was almost incomprehensibly complicated! If anyone truly lived, it was Rhys. Over her long life she went mad and discarded friends and men, hobnobbed with so many important people! Like so many Lost Generation writers she struggled with alcoholism, drug dependency and depression. She suffered accidents, underwent abortions, and was hospitalized for mental breakdown. No wonder she created unforgettable characters, women who contended with so much.

She was seventy-five years old when she published Wide Sargasso Sea in 1966. Rhys was ‘rediscovered’ by a new generation, finally found financial security, and unwelcomed fame. To the end of her life, she took care of her appearance, this petit blue-eyed, once blond-haired octogenarian, with her pink and white wigs and fashionable colorful clothes.

You won’t always like Jean Rhys. But you will be impressed by her resilience and determination.

Now, to read the rest of her work…

I received a free egalley from the publisher through NetGalley. My review is fair and unbiased. ( )
  nancyadair | May 19, 2022 |
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Near to the end of her long life - she was almost ninety when she died in May 1979 - Jean Rhys wrote what her Devonshire neighbour William Trevor praised as one of the finest short ghost stories he'd ever read.
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"Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction-above all, the extraordinary Wide Sargasso Sea-that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable-and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist"--

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