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Cargando... The Idiot (edición 2017)por Elif Batuman (Autor)
Información de la obraThe Idiot por Elif Batuman
  
Books Read in 2021 (165) » 18 más Top Five Books of 2017 (137) Top Five Books of 2023 (143) Top Five Books of 2018 (285) Books Read in 2017 (1,611) Books Read in 2020 (1,968) Books Read in 2018 (2,146) sad girl books (2) Academia in Fiction (86) To Read (639) Phoebe Bridgers (25) sad girl books (32) Actualmente no hay Conversaciones sobre este libro.   ) i. | Apr 17, 2024 |   ) deborahee | Feb 23, 2024 | Selin has a crush on a fellow student named Ivan and they develop an online relationship in the dawn of the email age. They aren’t sure how to translate what’s online to real life and they can’t really figure out how they feel or where they fit in the world. But they have SOMETHING that’s intense and important to both of them but also extremely confusing and whatever it is makes them both feel like the title Idiot. I struggled reading this but eventually I felt better about it. (  ) hmonkeyreads | Jan 25, 2024 |  ) Okies | Jan 21, 2024 | 1  BookyMaven | Dec 6, 2023 |
 The sermonic version of The Idiot might conclude with this: if power compromises love, and sex involves power, then sex always compromises love. To be intoxicated by someone’s power is to allow your love for them to be compromised. True love will not save you: the truer the love the deeper the compromise. I don’t think Selin sees a way out of this predicament. In one respect, The Idiot, a debut novel by Elif Batuman, staff writer at the New Yorker, is an expansion of the Hungary-based segment of her nonfiction The Possessed: Adventures with Russian Books and the People Who Read Them. Ironically, however, it strikes you as throwaway material that didn’t merit inclusion in that well-received work. It’s mostly bland and boring. At over 400 pages, it also feels interminable...Ultimately, you cannot but wonder why Batuman wrote such a meandering and listless novel. Because it reflects her real-life experiences? If so, the author would do well to emulate a minor character in The Idiot, who, unlike Selin and a friend of hers, “doesn’t compulsively rehash everything that happens to her in the form of a story.  Elif Batuman’s first novel, “The Idiot,” is in part about the unlikely and consuming crush that Selin, the daughter of Turkish immigrants, develops on an older mathematics student from Hungary during her freshman year at Harvard. It is unclear, for hundreds of pages, whether this crush is requited. Meanwhile the reader, palm crushed into forehead, thinks, “Poor Selin, what are you doing to yourself?”..Small pleasures will have to sustain you over the long haul of this novel. “The Idiot” builds little narrative or emotional force. It is like a beautiful neon sign made without a plug. No glow is cast... After 100 pages, I was done with Ivan and wanted Selin to be done, too....There are two things I admire about this novel. One is the touching sense, here as in everything Batuman writes, that books are life. Selin is, convincingly and only slightly pretentiously, the sort of person who buys an overcoat because it reminds her of Gogol’s...this wry but distant novel, never becomes an enveloping one. Fiction, like love, is strange.  Now she’s continued this project in a long and enjoyably literary novel, The Idiot...A summary of this kind makes the novel sound like a treatise, which is exactly what it is not. The voice throughout is colloquial and humorous. And as a reading experience, it is enjoyable: a generously capacious book that creates an alternative world for the reader to inhabit in a manner comparable to the Russian novels that Batuman loves. Part of the pleasure is that many of the characters are unusually likable. Selin’s friends are consistently warm, curious and interesting, despite waking her up with their snoring or dismissing her love for Ivan. Even her interfering mother is generally sensible in her advice. Elif Batuman interview: ‘I thought racism and sexism were over. I was in for a rude awakening’ Read more The likability tends to be confined to the female characters, however...A young woman discovers the difference between life and literature in a warm, funny portrayal of university life in the 90s Pertenece a las seriesSelin Karadag (1) PremiosDistincionesListas de sobresalientes
Esta historia empieza en el ao 1995, cuando el e-mail era algo nuevo y emocionante. La protagonista es Selin, hija de inmigrantes turcos apasionada por la literatura que acaba de llegar a Harvard decidida a convertirse en escritora. Acostumbrada a vivir a travs de los libros, llega a la universidad sin manual de instrucciones: cmo se hacen amigos? Cmo se enamora uno? Importan ms las cosas cuando se viven que cuando se leen? Selin ve su vida como una narracin ms pero, qu pasa cuando intentamos aadir otras personas a nuestra historia? As empieza su relacin con Ivan, un estudiante hngaro de matemticas algo mayor que ella con quien comenzar a escribirse. Mediante el correo electrnico, crearn un mundo paralelo habitable (o una barrera de ficcin tras la que esconderse) que rpidamente eclipsar todas sus otras relaciones. Duante el ao que cubre esta novela de iniciacin, la herona de Batuman emplea un ingenio y una mordacidad entraables para descubrirse y, sobre todo, inventarse ante el desafo que supone llegar a la edad adulta. Esta debut nominado al Pulitzer es una reflexin perdurable sobre la relacin entre el arte y la vida, las palabras y el mundo real, las historias que nos contamos y las narrativas en las que quermos encajar. No se han encontrado descripciones de biblioteca. |
Debates activosNingunoCubiertas populares
 Google Books — Cargando...GénerosSistema Decimal Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClasificación de la Biblioteca del CongresoValoraciónPromedio: (3.59)
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