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Cargando... Everything Must Gopor La JohnJoseph
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Fiction. LGBT Studies. In a future- queer world of magically changing locations, perversely transformed historical figures and oodles of spatter-violence, an intersexual teen mother describes her road trip with a cast of surreal travel buddies. The goal of her final destination: unleashing the Apocalypse. Riding in a banana-yellow convertible with our hero/ine is the strangely mature Baby, able to chat while still in the womb; as well as two Catholic Missionaries with a violent streak, a Charlie Chaplin who communicates only with cue cards, and Candy Bar, a winsome club kid who ends up fixing the face of Valentino's corpse at his funeral. Follow our hero/ine through a dreamlike jungle of orgies and terrorist explosions, described in language as word-rich and surreal as a Ronald Firbank novel. You'll howl with laughter the whole time and have nightmares about it long after you come to the breathlessly ridiculous final page. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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This is the second title I've now received by the intriguing ITNA Press, a small publisher dedicated to providing a home for especially dark, especially obtuse manuscripts; and "especially dark and obtuse" is a perfect description for playwright La JohnJoseph's newest book, a story on the serious side of the genre known generally as "bizarro" (a genre with just as large a humorous side, to be clear), set in an undated future where an apocalypse has disrupted all normal laws of physics and space/time on Earth, and where our main character can do things like age three years in a matter of days simply by choice, or have long convoluted psychic conversations with her still-gestating but fully mature baby who is still inside her womb. And that in a nutshell is always the problem with books like these, and why I have a bit of a love/hate relationship with bizarro novels in general; for while there is much to admire here simply in terms of style, audacity, and the pure beauty of the language itself being used, since this is little more plot-wise than a written-out cartoon that deliberately makes no narrative sense at all, I find it extremely difficult to get emotionally invested in books like these or even to finish them, instead tending to look at such titles as a great 50-page short story couched within a 200-page manuscript, and with it not really mattering where exactly you start and stop reading within that 200-page manuscript itself, a disappointing experience when you're a big fan of three-act novels like I am. Absolutely recommended (and strongly so) for existing fans of bizarro, that recommendation gets a lot trickier when it comes to the general public, and whether or not you should pick this up depends a lot on whether you read novels more for the story (in which case no) or for the writing (in which case definitely yes).
Out of 10: 8.0, or 9.0 for existing bizarro fans ( )