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Rhapsody For The Theatre

por Alain Badiou

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For Alain Badiou, theatre--unlike cinema--is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship. This definitive collection includes not only Badiou's pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou's own work as a playwright, as author of the Ahmed Tetralogy.… (más)
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So Alain Badiou is a playwright as well as a philosopher? I wouldn't have guessed at such, would've likely bet against the possibility. What do I know? I'm sitting in Atlanta pecking away on a small screen. Rhapsody is actually six pieces spanning 15 years and apparently at least 4 plays, all the while composing Being and Event and other dense polemics. Badiou states his argument that upper-case Theatre is linked inextricably with the State. It's performative immediacy allows a certain truth to be conveyed, unlike the novel it is the personal expression of the role and the spectator's individual response which maintains a distance. I felt the pieces somewhat limp and Badiou's self-promotion irritating. What do I know? I have been up since 5 and our flight doesn't leave for 3 more hours. Who needs a beer? ( )
  jonfaith | Feb 22, 2019 |
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For Alain Badiou, theatre--unlike cinema--is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship. This definitive collection includes not only Badiou's pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou's own work as a playwright, as author of the Ahmed Tetralogy.

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