Filippo Tommaso Marinetti (1876–1944)
Autor de The Futurist Cookbook
Sobre El Autor
Born in Egypt and educated in Paris, Marinetti gained a reputation as a writer in French long before he launched the "futurist movement" with his manifesto of February 20, 1909, in Le Figaro. Proclaiming an ideal of "words in liberty," that manifesto elicited high praise from Wyndham Lewis, mostrar más Guillaume Apollinaire, Ezra Pound, and D. H. Lawrence, as well as the Italians Aldo Palazzeschi, Giovanni Papini, and Ardengo Soffici. After his French works were translated into Italian, he was arrested and spent two months in an Italian jail for immorality. Despite the notoriety of his first manifesto, the subsequent Technical Manifesto of 1912 epitomizes the essence of futurism: the glorification of war, masculinity, violence, and the machine. As William De Sua correctly wrote: "Of all his works, the Technical Manifesto alone should secure his place among such figures as Pablo Picasso, Ezra Pound, Igor Stravinsky, and Guillaume Apollinaire as one of the greatest movers and shapers of modern art." (Bowker Author Biography) mostrar menos
Créditos de la imagen: Filippo Tommaso Emilio Marinetti (1876-1944), in white suit
Obras de Filippo Tommaso Marinetti
zz FUT. CRITICA 1978, Lettere a F.T. Marinetti — Autor — 4 copias
Il tamburo di fuoco; dramma africano di calore, colore, rumori, odori, con intermezzi musicali e accompagnamento… (2010) 4 copias
Spagna veloce e toro futurista. Poema parolibero seguito dalla Teoria delle parole in libertà 3 copias
The Founding and Manifesto of Futurism (multilingual edition): Italian/English/French/German/Arabic (1909) 2 copias
Lussuria Velocità 1 copia
La Momie sanglante 1 copia
"La Fotografia Futurista: Manifesto," Il Futurismo: Rivista Sintetica Illustrata, Abb. a 12 Num. 1 copia
Poema non umano dei tecnicismi 1 copia
Distruzione. Poema Futurista 1 copia
I POETI FUTURISTI 1 copia
I nuovi poeti futuristi 1 copia
O Futurismo 1 copia
Tato Raccontato Da Tato — Contribuidor — 1 copia
SI TE JOSHIM GRATE 1 copia
Guerra, sola igiene del mondo 1 copia
Primo dizionario aereo Italiano 1 copia
Feet 1 copia
Elettricità sessuale 1 copia
ZANG TUMB TUMB 1 copia
Il club dei simpatici 1 copia
Marinetti e il futurismo 1 copia
A cura di Sandro Briosi 1 copia
La grande Milano tradizionale e futurista, Una sensibilità italiana nata in Egitto — Autor — 1 copia
Teatro futurista sintetico - Biblioteca teatrale - F. T. Marinetti -Emilio Settimelli Bruno Corra 1 copia
Collaudi futuristi 1 copia
La Ville chernelle 1 copia
Programma Politico Futurista 1 copia
Obras relacionadas
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 1876-12-22
- Fecha de fallecimiento
- 1944-12-2
- Lugar de sepultura
- Cimitero Monumentale, Milan, Italy
- Género
- male
- Nacionalidad
- Italy
- Lugar de nacimiento
- Alexandria, Egypt
- Lugar de fallecimiento
- Bellagio, Italy
- Lugares de residencia
- Alexandria, Egypt
Bellagio, Italy
Paris, France - Educación
- University of Pavia
The Sorbonne, Paris, France - Ocupaciones
- novelist
poet
dramatist
editor - Organizaciones
- Futurist movement (founder)
- Biografía breve
- Filippo Tommaso Marinetti (Alessandria d'Egitto, 22 dicembre 1876 – Bellagio, 2 dicembre 1944) è stato un poeta, scrittore e drammaturgo italiano, nonché editore. È conosciuto soprattutto come il fondatore del movimento futurista, la prima avanguardia storica del Novecento.
(http://it.wikipedia.org/wiki/Filippo_...)
Miembros
Reseñas
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 88
- También por
- 5
- Miembros
- 605
- Popularidad
- #41,547
- Valoración
- 3.6
- Reseñas
- 22
- ISBNs
- 95
- Idiomas
- 10
- Favorito
- 4
“We say that the world’s magnificence has been enriched by a new beauty; the beauty of speed... Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” (Marinetti, 1909)
Filippo Tommaso Marinetti—poet, playwright, journalist, and novelist—was the founder and guiding spirit of the Italian Futurist movement. Beginning in 1909, he introduced ideas based on the visualization of speed and innovation in modern technology. His ideas had a profound impact not only on the visual arts, but also on literature and theater. Marinetti developed the concept of parole in libertà (free text), which carried the idea of free verse one step farther. It eliminated any rules regarding spelling, syntax, or typography.
Like many artists at that time, Marinetti developed a fascination with the concept of speed, sparked in part by advances in transportation and building construction. He was not interested in the social advances that technology would bring, but with the intoxicating and frightening experience of the power of machines. Using typography alone, Marinetti explodes the norms for book presentation, expressing modernity through a controlled chaos of words, shapes, and images.
Bibliography:
cf. Johnson, Robert Flynn, Artists' Books in the Modern Era 1870--2000: The Reva and David Logan Collection of Illustrated Books, San Francisco, 2001, no. 31… (más)