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Cargando... LAbyrinth: A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records' Suge Knight, and the Origins of the Los Angeles Police Scandalpor Randall Sullivan
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. This book was good- but not great. I really enjoyed learning about the LAPD and the corruption within. Hopefully, this idea is nothing new to any of us, but getting another look, a closer look, was very refreshing. I also enjoyed how the book centered around the murders of Tupac and Biggie, it made the book relevant and more interesting. However, if this interests you, you probably also know that those investigations dead ended. Even after reading the book, I still do not feel like the true story has ever been told. Reading this book after Suge Knight also allegedly killed another on the set of Straight Outta Compton, was even more jarring and impactful. It shows that corruption can come to anybody, in any form, in any capacity. I think the book did a good job of explaining that. ( ) As a fan of both Tupac and Biggie, I was very interested in learning more about what really went down. Former Officer Poole seems to think he has the answers so I was eager to learn what he knows so I could draw my own conclusions. Mosltly, I was very disappointed - especially by the author's extreme bias. For example, on page 14 of the hardcover version, Sullivan notes that "[In the early 1960s], as now, black males committed a hugely disproportionate amount of crime in Los Angeles and across the country." WHAT? I can't even believe that went to print. Question: do black males commit a disproportionate amount of crime in this country or are they accused and convicted disproportionately? At the very least, if you're gonna make such outrageous comments, back it up. With no statistical data, I consider Sullivan's comment to be hearsay. Then, just a few pages later, on page 18, Sullivan gets a little diatribe going about how the LAPD hiring process has become less stringent over time, noting that "liberals had successfully argued that [baring applicants with juvenile records] limited the number of blacks and Hispanics who could join the LAPD." I'm not even 20 pages into the book, and my reading of the author is that he really doesn't like minorities or "liberals," whatever the latter term means to him because he sure doesn't define anything. Yet I decided to take these and similar comments with a grain of salt and press forward with the book. I do think that Sullivan's style is extremely readable and engaging. I also like the way he attempted to provide background on the LAPD history, the history of the Crips and the Bloods, etc. If you're not likely to be critical going into this book, it's not bad for escapism. Unless you were living in a plastic bubble when these events took place, I doubt that you'll be blown away by the overall picture Sullivan paints. If one-tenth of what's written in these pages is true, Biggie and Tupac were just as despicible as Suge Knight, the LAPD, the affiliated gangs, the attorneys and just about everyone else who graced the pages of the book. And that made me really sad because it's hard for me to listen to the music the same way. Tupac and Biggie were not innocent; they were just greedy [...] who courted violence successfully. Truthfully, none of the stuff about the LAPD or any of the other authority figures surprised me. Money and testosterone--bad combination. Lest you think I'm a man-hater, the women in this book are appalling, too. I hate to say it but Tupac and Biggie got what they deserved. sin reseñas | añadir una reseña
Los Angeles has one of the nation's most controversial police departments. In the fall of 1998, still reeling from the Rodney King and O.J. Simpson debacles, the LAPD took a far more damaging hit when officer Rafael Perez implicated over seventy fellow officers -- members of the elite Rampart street-crimes unit -- in a conspiracy of robbery, brutality, drug dealing, false imprisonment, and allegedly murder. Now award-winning journalist Randall Sullivan delivers a masterpiece of reportage that reveals how members of the LAPD became caught up in the violent world of Suge Knight and his Death Row Records rap empire. Labyrinth shows how officers became gangsters, and how officials at the highest levels covered it up. Sullivan has had unprecedented access to Russell Poole, the upright homicide detective whose investigation into two of hip-hop's most infamous unsolved crimes -- the murders of Tupac Shakur and the Notorious B.I.G. -- led him straight into the darkest corners of his own police force. Labyrinth introduces such renegade officers as Kevin Gaines, killed by fellow cop Frank Lyga after he threatened Lyga's life; Rafael Perez, who, in retaliation, may have attempted to frame Lyga for drug theft; and David Mack, the highly decorated officer and former Olympic-class track athlete who orchestrated one of the biggest bank heists in Los Angeles history. LAbyrinth is the first book to break down powerful walls of silence raised by an internal-affairs department and a police chief who protected criminal cops in order to avoid making waves in a city torn by racial politics and legalistic intrigue. It is an epic true story of the brutal men who ruled the nation's meanest streets and a nonflinching expose of the incredible reasons why they were not stopped. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)364.1523Social sciences Social problems and services; associations Criminology Crimes and Offenses Offenses against persons Homicide MurderClasificación de la Biblioteca del CongresoValoraciónPromedio:
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