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Egyptian Wall Painting

por Francesco Tiradritti

Otros autores: Sandro Vannini (Ilustrador)

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A fascinating study of ancient Egyptian wall art, featuring full-page illustrations on matte paper specially designed to re-create the texture of the paintings themselves. Ancient Egyptian civilization developed its own highly individual manner of expressing visible and invisible worlds--earth and the domain of the gods--through distinctive "languages." These languages included both two-dimensional portrayals (paintings and painted reliefs) and three-dimensional figures--forms that each must be skillfully deciphered in order to grasp its overt and covert meanings. Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code that was designed to maintain the Maat--or Cosmic Order, Truth-Justice, and Universal Harmony--and that figured intimately in Egyptian lives and beliefs. The text conducts this examination through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time. Accordingly, the first section of the book analyzes the technology, techniques, history, and cultural context of Egyptian art, while the second compares selected monumental works across different periods and places, detailing their artistic and spiritual significance. Handsomely illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness. As the definitive treatment of its subject, Egyptian Wall Painting is sure to appeal to art historians, Egyptologists, linguists, and connoisseurs interested in one of history's most complex and influential civilizations.… (más)
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Luxe-editie op groot formaat, met paginagrote foto's op katernen van stevig mat papier om de look & feel van de muurschilderingen zo goed mogelijk te benaderen.
Het boek begint met enkele hoofdstukken over meer technische aspecten van de Egyptische schilderkunst, om daarna een historisch overzicht te bieden. Dat is eerder beschrijvend dan analyserend. Soms is het zelfs niet helemaal duidelijk waarom de auteur er een bepaald werk uitkiest. Vreemd genoeg ontbreken afbeeldingen van enkele topwerken. Uit het graf van Nacht wordt alleen het beroemde tafereel met de drie musiciennes getoond en van de groene kamer uit het noordelijk paleis in Amarna is geen afbeelding terug te vinden. Ook de interessante paragrafen over de culturele uitwisseling in het oostelijk Middellandse Zeegebied verdienden meer beeldmateriaal.
De beeldredactie laat wel meer te wensen over. Waarom het graf van Toetanchamon wel een volledig katern verdient, en dat van Nacht niet, is een raadsel. In het katern gewijd aan het graf van Menna worden elke afbeeldingen herhaald, met alleen een miniem verschil in kadrering.
Dat alles neemt niet weg dat de kwaliteit van het beeldmateriaal bijzonder groot is, voor zover je dat kan beoordelen zonder ooit ter plaatse te zijn geweest. Maar uiteindelijk is het allemaal wat te veel om de vorm te doen en te weinig om de inhoud. Ik had toch wel wat meer verwacht. ( )
  brver | Feb 18, 2024 |
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Nombre del autorRolTipo de autor¿Obra?Estado
Francesco Tiradrittiautor principaltodas las edicionescalculado
Vannini, SandroIlustradorautor secundariotodas las edicionesconfirmado
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A fascinating study of ancient Egyptian wall art, featuring full-page illustrations on matte paper specially designed to re-create the texture of the paintings themselves. Ancient Egyptian civilization developed its own highly individual manner of expressing visible and invisible worlds--earth and the domain of the gods--through distinctive "languages." These languages included both two-dimensional portrayals (paintings and painted reliefs) and three-dimensional figures--forms that each must be skillfully deciphered in order to grasp its overt and covert meanings. Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code that was designed to maintain the Maat--or Cosmic Order, Truth-Justice, and Universal Harmony--and that figured intimately in Egyptian lives and beliefs. The text conducts this examination through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time. Accordingly, the first section of the book analyzes the technology, techniques, history, and cultural context of Egyptian art, while the second compares selected monumental works across different periods and places, detailing their artistic and spiritual significance. Handsomely illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness. As the definitive treatment of its subject, Egyptian Wall Painting is sure to appeal to art historians, Egyptologists, linguists, and connoisseurs interested in one of history's most complex and influential civilizations.

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