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Cargando... From May to Decemberpor Pat MacEnulty
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"MacEnulty writes with sympathy, wisdom and--an unexpected blessing--humour."--Guardian "A spare, disciplined prose that no one will be able to read without thinking of Hemingway. But MacEnulty has made the style her own."--The Observer "The dirty, realistic landscape sometimes steps aside for bittersweet coming-of-age flashbacks, but mostly we're in swampy hell. Harry Crews would love it."--Uncut (on Sweet Fire) Jen Johanssen is a former porn actor trying to fit into the world of academia. Her sister, Lolly Johanssen, is a cancer survivor. Nicole Parks is in prison for loving the wrong guy. And Sonya Yakowski, also in prison, is a member of a family of traveling criminals, desperately missing her young son. The lives of these four women converge in a Florida prison, where Jen and Lolly have joined forces to put on a grant-funded drama production. Despite their remarkably divergent histories, these women come together in unexpected ways, each beginning to confront and forgive her own past. Pat MacEnulty lives in Charlotte, North Carolina. Currently an assistant professor at Johnson & Wales University, she has taught creative writing in jails and prisons, at conferences for The Sun magazine, and at the Winthrop University Kaleidoscope Summer Arts Camp for Teenagers. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClasificación de la Biblioteca del CongresoValoraciónPromedio:
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The sisters, Jen and Lotty, have never been close. As children Jen felt ignored, pushed aside by her sister's illnesses. Now, as adults, they come together again but the reemergence of Lotty's cancer will either strengthen or destroy their attempts at sisterhood. Jen has a past of which she is not proud but she is trying to create a new life for herself. When Lotty asks her to help with a prison writing program she has begun at a local women's prison, Jen hesitates but, with many doubts, agrees to help. Together they work with a group of women to write and produce a production of one act plays.
The book is also told in the alternating story of four women, each one in prison for a different crime. The strength of this book is its portrayal of these women, their pasts, their presents and their dreams of a future. MacEnulty gives a voice to the thousands of women incarcerated all over the nation. These women have broken the law but the stories behind the crimes are powerful and moving.
But this is not a book of weak women, desperation or lives at their end. Instead it is a book full of hope, of the strength and beginnings. There is strong emotion through out the book but it is not a sappy, mushy, 'poor pitiful us' emotion. Instead MacEnulty's strong writing ability brings it above the emotion to form a full bodied story that leaves a lasting impression. She is able to lead readers into the lives of her characters by slowing revealing their stories, unfolding the details one by one to open a panorama of survival and substance. She draws tears and cheers for her women through deft plotting and in depth character development, a triumph of heart blended with talent. A winning combination.