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Leave Myself Behind por Bart Yates
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Leave Myself Behind (edición 2003)

por Bart Yates (Autor)

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3141083,823 (4.09)6
THE WORLD ACCORDING TO NOAH YORK: "Anybody who tells you he doesn't have mixed feelings about his mother is either stupid or a liar." "Real life seldom makes me cry. The only thing that gets to me is the occasional Kodak commercial." "Sometimes I feel like Michelangelo, chiseling away at all the crap until nothing is left but the exquisite thing in the middle that no one else sees until it's uncovered for them." "Anyway. . ." Meet seventeen-year-old Noah York, the hilariously profane, searingly honest, completely engaging narrator of Bart Yates's astonishing debut novel. With a mouth like a truck driver and eyes that see through the lies of the world, Noah is heading into a life that's only getting more complicated by the day. His dead father is fading into a snapshot memory. His mother, the famous psycho-poet, has relocated them from Chicago to a rural New England town that looks like an advertisement for small-town America--a bad advertisement. He can't seem to start a sentence without using the "f" word. And now, the very house he lives in is coming apart at the seams--literally--torn down bit by bit as he and his mother renovate the old Victorian. But deep within the walls lie secrets from a previous life--mason jars stuffed with bits of clothing, scraps of writing, old photographs--disturbing clues to the mysterious existence of a woman who disappeared decades before. While his mother grows more obsessed and unsettled by the discovery of these homemade reliquaries, Noah fights his own troubling obsession with the boy next door, the enigmatic J.D. It is J.D. who begins to quietly anchor Noah to his new life. J.D., who is hiding terrible, haunting pain behind an easy smile and a carefree attitude. Part Portnoy, part Holden Caufield, never less than truthful, and always fully human, Noah York is a touching and unforgettable character. His story is one of hope and heartbreak, love and redemption, of holding on to old wounds when new skin is what's needed, and of the power of growing up whole once every secret has been set free.… (más)
Miembro:gainesvillepride
Título:Leave Myself Behind
Autores:Bart Yates (Autor)
Información:Kensington (2003), Edition: First Edition, 256 pages
Colecciones:Tu biblioteca
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Leave Myself Behind por Bart Yates

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Mostrando 1-5 de 10 (siguiente | mostrar todos)
Amazing! I read The Brothers Bishop over Christmas break, and loved it, so I had to read Yates' first novel, which I think I liked even better than The Brothers Bishop! ( )
  bookishblond | Oct 24, 2018 |
Part coming of age story, part gay romance, part mystery-come-melodrama; maybe a bit over-ambitious, but a good narrative voice. (Grammatical nitpick: repeated use of 'lay' for 'lie'.) ( )
1 vota phoebesmum | Aug 13, 2011 |
Well written, although the plot was a bit odd in parts. ( )
  caulfieldfinch | Apr 25, 2009 |
Although I thought the whole mason-jars-and-baby's-skeleton thing that drove that plot was pretty over the top, I loved this book for its extremely good depiction of human relationships: Noah's relationship with his mother and his deceased father, his growing romance with J. D., J.D.'s abusive mom, etc. The dialogue and the characters' actions were very real to me, and Noah and J.D.'s homosexuality was well done. Some books overstress the gay aspect of the story, but in this case the amount of emphasis was just right: clearly a factor in play, but not something you got slammed over the head with. I look forward to reading more of this author's work. ( )
  meggyweg | Apr 21, 2009 |
I bought this book months ago, but I always delayed to read it since I had the idea that it was sad and difficult, and if I have to spend my mind in a book, at least I want in the end to be happy. But I was wrong... Oh yes, the book is difficult, almost tragic in some part, but it's not sad, and I'm very happy to have read it and I will recommend it to everyone who wants to end a book with a tender smile on his face. Mind you, the book has not a pink glasses perspective on the world, but it still has hope in it.

Noah is a really good character, but he is not the only protagonist of this book: he shares the role with the other young boy J.D., but also with his mother Virginia, and in a way, also with Donna and Tom, J.D.'s parents. And so I would like to start my post speaking of Virginia: she is the classical strong woman who built a shield around her to not face a dramatic and long buried secret in her past. She managed to find a piece of serenity with his husband, probably a more simple and quite man than her, even less clever, but able to give her the stability she needed. Noah had never seen his parents in intimate behavior, but he felt the positive energy between them, he knew that his family was an haven from the world, a place where he could grow and be the man he wanted to be without fear of rejection. But that haven was destroyed when his father suddenly passed away, and the other plate who balanced his mother disappears.

Now Virginia drags Noah to leave in a small town, but it's not the cultural shock who Noah would expect. In a way, the small town way of life replace that safe haven, and the disorientation Noah would probably had in the city, is avoided with this moving in an old Victorian house that needs a lot of work to be inhabitable and in this way distracts Noah from his own problems. And another distraction arrives from J.D., the new neighbor a year young than Noah. It's strange, Noah is way too clever than J.D., and he is also older, but when J.D. enters the scene, he always takes the role of the leader, the one who always seems to be more aware and adult. Even with his parents J.D. has a way too adult behavior for his own age, he is comprehensive and respectful, even if they have obviously a lot of problem and if J.D. will continue to live with them will end in a very bad way.

This is obviously a coming of age story, both of Noah and J.D., but in a way also of both their mothers, who need to make pacts with their past to not ruin the future of their son. But it's also a love story between Noah and J.D., and even if dealt with tenderness and the right dose of eroticism for a young adult book, it's nevertheless a very sweet and satisfying love story. It evolves in a way that maybe makes Noah and J.D. face some decisions before time, but it's right, since also in their personal life they are facing events that no one at that age should face: and since the world asks them to be adult, it's right that also in their sexual life they are adult.

http://www.amazon.com/dp/0758203497/?tag=elimyrevandra-20
1 vota elisa.rolle | Feb 13, 2009 |
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THE WORLD ACCORDING TO NOAH YORK: "Anybody who tells you he doesn't have mixed feelings about his mother is either stupid or a liar." "Real life seldom makes me cry. The only thing that gets to me is the occasional Kodak commercial." "Sometimes I feel like Michelangelo, chiseling away at all the crap until nothing is left but the exquisite thing in the middle that no one else sees until it's uncovered for them." "Anyway. . ." Meet seventeen-year-old Noah York, the hilariously profane, searingly honest, completely engaging narrator of Bart Yates's astonishing debut novel. With a mouth like a truck driver and eyes that see through the lies of the world, Noah is heading into a life that's only getting more complicated by the day. His dead father is fading into a snapshot memory. His mother, the famous psycho-poet, has relocated them from Chicago to a rural New England town that looks like an advertisement for small-town America--a bad advertisement. He can't seem to start a sentence without using the "f" word. And now, the very house he lives in is coming apart at the seams--literally--torn down bit by bit as he and his mother renovate the old Victorian. But deep within the walls lie secrets from a previous life--mason jars stuffed with bits of clothing, scraps of writing, old photographs--disturbing clues to the mysterious existence of a woman who disappeared decades before. While his mother grows more obsessed and unsettled by the discovery of these homemade reliquaries, Noah fights his own troubling obsession with the boy next door, the enigmatic J.D. It is J.D. who begins to quietly anchor Noah to his new life. J.D., who is hiding terrible, haunting pain behind an easy smile and a carefree attitude. Part Portnoy, part Holden Caufield, never less than truthful, and always fully human, Noah York is a touching and unforgettable character. His story is one of hope and heartbreak, love and redemption, of holding on to old wounds when new skin is what's needed, and of the power of growing up whole once every secret has been set free.

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