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Cargando... Fine Cuts: The Art of European Film Editingpor Roger Crittenden
   Ninguno Actualmente no hay Conversaciones sobre este libro.  dst | Apr 10, 2010 |  sin reseñas | añadir una reseña
In the expanded second edition of Fine Cuts, Roger Crittenden reveals the experiences of the greatest European film editors through his warm and perceptive interviews. This new edition builds on the foundations laid out in 2005, including interviews with the editors of films such as Day for Night, The Sacrifice, The Kid with a Bike, and Fanny and Alexander; new interviews with editors of such films as Tyrannosaur and The Other Side of Hope; and editors from a wider range of countries, including Austria, Belgium, Finland, Portugal, and Russia. The book now embraces all aspects of post-production, with insights into sound editing from Larry Sider, originator of the renowned School of Sound, and music composition from Oscar winner Dario Marianelli (Atonement) No se han encontrado descripciones de biblioteca. |
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 Google Books — Cargando...GénerosSistema Decimal Melvil (DDC)778.535094The arts Photography, computer art, cinematography, videography Special Applications Film making Film Making and EditingClasificación de la Biblioteca del CongresoValoraciónPromedio: (1)
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I gave up after about a hundred pages. The reasons were manifold: first of all the book is poorly written and edited, as there are a lot of errors great and small on almost every page (well okay, every five pages is more like it). But my biggest complaint is that in those one hundred pages the interviewees talked about pretty much anything but editing film. The book might be a sensible read for those interested in the people, as they talk about growing up and their favourite authors etc, but I gained close to no insight to their work methods. (