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What the Ermine Saw: The Extraordinary Journey of Leonardo da Vinci's Most Mysterious Portrait

por Eden Collinsworth

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603437,388 (4.03)6
"In the tradition of The Lady in Gold and The Hare with the Amber Eyes, the remarkable story behind one of history's most enigmatic portraits. Five hundred and thirty years ago, a young woman sat for her portrait, which was to be painted by a tall, Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the teenage mistress of the Duke of Milan. With shining hair and alabaster skin, and a thin veil framing her delicate features, Gallerani held a white ermine-an emblem of pregnancy and childbirth-close to her breast. Their slender bodies appeared almost as one. Her lover, Ludovico Sforza, was a ruthless man who was betrothed to the daughter of a powerful family; he was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty, but reflect Sforza's own political prowess. Indeed, with this beguiling image, da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. While the painting faithfully captures the young woman's likeness, it also bears something deeper: the essence of a "soul," one conveyed with brush strokes and more effectively than with words used by any writer. But despite the work's importance in its own time, no records of it exist during the two hundred and fifty years that followed Gallerani's death. Author Eden Collinsworth illuminates the startling history of this unique masterpiece, as it journeyed for over five centuries from one owner to the next-from the cunning Milanese duke, likely to have murdered his seven-year-old nephew for the title, to an unconventional Polish noblewoman, who counted as acquaintances Benjamin Franklin and Voltaire. From Hitler, who designated it for his private collection, to Hans Frank, the Nazi high command in Poland, who hung it above his desk until it was returned after the War to the Czartoryski Museum in Kraków. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors; a comprehensive study of artistry and innovation; a riveting tale of Nazi plunder; of art lost and found; and a reminder that genius, power, and beauty always have a price"--… (más)
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There's a lot of interesting history here that I had no idea about as far as Italy and how all those dukedoms came about (basically through rape and pillage apparently). There's definitely some guesswork here, but that's typical sometimes with this stuff; I still enjoyed learning about the general provenance of this painting and all the places it ended up (oh I learned a ton about Polish history too which I knew nothing about...). ( )
  spinsterrevival | Dec 6, 2023 |
Enjoyed reading. However, I found easily correctable mistakes. Such as: on page 71, the author wrote: "After the fall of the Borgia dynasty in Venice...". Being the Borgias ever ruled Venice must come as a deep shock to both them and the Venetians. A little further down on the same page, the author wrote "...in 1525 Leonardo trailed back to Milan...". Pretty impressive, since Leonardo da Vinci died in 1519. ( )
  artheart | Jan 12, 2023 |
The teenager turns her head toward something we can’t see. She is lovely but modestly dressed. She holds a white ermine, almost cuddling an animal known to be fierce and aggressive. Leonardo Da Vinci was commissioned to paint the portrait of Cecilia Gallerani, mistress of his patron the Duke of Milan. There are only four portraits of women known to be by Da Vinci. Like his Mona Lisa, he kept Lady with Ermine for years, changing it several times. He added the ermine, changed its size and color. It finally was hung in the Duke’s room…Until he married, when his wife sent the mistress, her child, and the painting out of the house.

In What the Ermine Saw, Eden Collingsworth traces the history of the painting across time as it descended down through the family who took it to Poland. The painting survived conflict and two world wars, narrowly escaping the bombing that destroyed Dresden (and provoked Kurt Vonnegut to write Slaughterhouse Five). It hung in a private museum and in the home of the Nazi who systemically eradicated Polish culture, burning books and murdering thousands and sending millions to concentration camps.

I was totally immersed in this book, the tumultuous history fascinating. I had never considered how wondrous that works of cherished works of Western art survived at all.

I received a free egalley from the publisher through NetGalley. My review is fair and unbiased. ( )
  nancyadair | Mar 14, 2022 |
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"In the tradition of The Lady in Gold and The Hare with the Amber Eyes, the remarkable story behind one of history's most enigmatic portraits. Five hundred and thirty years ago, a young woman sat for her portrait, which was to be painted by a tall, Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the teenage mistress of the Duke of Milan. With shining hair and alabaster skin, and a thin veil framing her delicate features, Gallerani held a white ermine-an emblem of pregnancy and childbirth-close to her breast. Their slender bodies appeared almost as one. Her lover, Ludovico Sforza, was a ruthless man who was betrothed to the daughter of a powerful family; he was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty, but reflect Sforza's own political prowess. Indeed, with this beguiling image, da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. While the painting faithfully captures the young woman's likeness, it also bears something deeper: the essence of a "soul," one conveyed with brush strokes and more effectively than with words used by any writer. But despite the work's importance in its own time, no records of it exist during the two hundred and fifty years that followed Gallerani's death. Author Eden Collinsworth illuminates the startling history of this unique masterpiece, as it journeyed for over five centuries from one owner to the next-from the cunning Milanese duke, likely to have murdered his seven-year-old nephew for the title, to an unconventional Polish noblewoman, who counted as acquaintances Benjamin Franklin and Voltaire. From Hitler, who designated it for his private collection, to Hans Frank, the Nazi high command in Poland, who hung it above his desk until it was returned after the War to the Czartoryski Museum in Kraków. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors; a comprehensive study of artistry and innovation; a riveting tale of Nazi plunder; of art lost and found; and a reminder that genius, power, and beauty always have a price"--

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