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Queer as Camp: Essays on Summer, Style, and Sexuality

por Kenneth B. Kidd

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Named the #1 Bestselling Non-Fiction Title by the Calgary HeraldTo camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead… (más)
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Very academic in tone; not for the most part, by any stretch of the definition. Where the writing approaches more casual, it also feels weighty by nature of the subject. The essay about church camp, for one, reads like a memoir interspersed with church history, but even the memoir portions feel a little somber to me because of the author's (at the time) mixed feelings. Very thought-provoking. ( )
  clrichm | Oct 7, 2019 |
Queer as Camp: Essays on Summer, Style, and Sexuality, edited by Kenneth B Kidd & Derritt Mason, explores the intersection of camp(ing) and sexuality from a broad range of approaches.

Just to start with a disclaimer, I never went to summer camp, not the kind that usually come to mind (cabins in the woods, structured activities, etc), so my engagement with the book is lacking that element. That said, because the essays touch on portrayals of camps and camping in popular culture as well as situations I could relate to from other types of camps, my deprived childhood did not keep me from both enjoying and connecting with the collection. So if you never attended a typical (whatever that might mean) summer camp this book still has a lot to offer.

Like any collection from different writers it is uneven. That probably carries the wrong connotation, the essays don't vary greatly in quality, they vary in who they may appeal to. I was fully engaged with several (to the point of rereading them after a couple days of thinking about what I had read). I found several more quite interesting but not really anything I really connected with. Then there were a few I thought were probably better than I give them credit for, they simply didn't speak to me, no fault of the essay itself. Such is the nature of a broad collection of essays.

There is a fair amount of theory involved but I felt like the writers, for the most part, expressed what they were using in a way that most readers without a lot of theory can still follow the ideas and arguments. Knowing some of the theories does, of course, help with your internal arguing with the writers but isn't necessary to appreciate and understand the majority of the essays.

The area of interest to me involves the intersection of the ages of campgoers (still learning who they are and becoming, hopefully, comfortable with that), the interplay between campers who identify across the sexuality spectrum (for some, a chance to see who they are, through homosocial activity, even if they think they already know), and how other aspects of each person's identity (race, ethnicity, religion, even regional identity) plays into it. This collection touches on these issues, some explicitly and some more peripherally, but always offering new perspectives and approaches.

I think anyone who went to summer camp regularly will enjoy this. Certainly anyone whose interests include gender, sexuality, and group behavior will find a lot to like here.

Reviewed from a copy made available by the publisher via NetGalley. ( )
  pomo58 | Aug 3, 2019 |
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Named the #1 Bestselling Non-Fiction Title by the Calgary HeraldTo camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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