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Lost Property

por Laura Beatty

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"In the middle of her life, a writer finds herself in a dark wood, despairing and uncomprehending at how modern Britain has become a place of such greed and indifference. In an attempt to understand her country and her species, she and her lover rent a busted-out van and journey across France to the Mediterranean, across Italy to the Balkans and Greece and on to the islands. Along the way, they drive through the Norman Conquest, the Hundred Years War, the wars with the Huguenots, the fragility of the Italian Renaissance, the Balkan wars of the 1990s and the current refugee crisis, meeting figures from Europe's political and artistic past - a Norman knight, Joan of Arc, Ariosto, D'Annunzio and Alan Moore's nihilistic Rorschach, each lending their own view of humanity at its best and at its very worst."--Publisher description.… (más)
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This is an extraordinary novel. It is fiction but it reads as if it is travel literature. It is packed with history from the Ancient Egyptians and Celts to the lives of present day refugees. It is a campervan trip across Europe and it is a story of a woman searching for answers. We begin with the unnamed narrator packing up her belongings into plastic crates ready to take a sabbatical. This is her own Lost Property. She buys a motorhome with Rupert and they set off across the channel and into France. Lost Property turns up as artifacts or stuff in the museums they visit. She meets characters from history and chats with them in the streets and in the van. Joan of Arc is here, French poet Christine de Pizan. In Ferrara we meet Ariosto who coined the term humanism. At times the narrator brings many characters together in an expansion of the dream dinner party idea. They explore nationalism and war and humanity. They drive through Croatia, Bosnia, Serbia and Bulgaria, crossing borders to Greece where they work as volunteers at a refugee camp. At the end of the book she tries to sum up what she has learnt on her journey while sitting on a balcony overlooking a Greek harbour. She can feel the Englishness (as it has grown or adapted) of England pulling her home. She writes, 'The emotional response to a place, which is what nationalism depends on, is private. There's no commonality of experience ... a country is a kind of glacier, solid and always slowly moving and changing, while a nation is just a huge number of individual experiences of the glacier, jumbled together, under the assumption that they are the same. Which they aren't.' Her writing is never cliched, it is individual and interesting, her knowledge of historical figures is deep and I learnt a lot. This is both an enjoyable read and a book that activated parts of my brain that are often dormant. ( )
  CarolKub | Feb 24, 2023 |
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"In the middle of her life, a writer finds herself in a dark wood, despairing and uncomprehending at how modern Britain has become a place of such greed and indifference. In an attempt to understand her country and her species, she and her lover rent a busted-out van and journey across France to the Mediterranean, across Italy to the Balkans and Greece and on to the islands. Along the way, they drive through the Norman Conquest, the Hundred Years War, the wars with the Huguenots, the fragility of the Italian Renaissance, the Balkan wars of the 1990s and the current refugee crisis, meeting figures from Europe's political and artistic past - a Norman knight, Joan of Arc, Ariosto, D'Annunzio and Alan Moore's nihilistic Rorschach, each lending their own view of humanity at its best and at its very worst."--Publisher description.

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