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Something Of His Art: Walking to Lübeck with J. S. Bach

por Horatio Clare

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In the depths of winter in 1705 the young Johann Sebastian Bach, then unknown as a composer and earning a modest living as a teacher and organist, set off on a long journey by foot to Lubeck to visit the composer Dieterich Buxterhude, a distance of more than 250 miles. This journey and its destination were a pivotal point in the life of arguably the greatest composer the world has yet seen. Lubeck was Bach's moment, when a young teacher with a reputation for intolerance of his pupils' failings began his journey to become the master of the Baroque.… (más)
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In the winter of 1705, a young organist set off to walk from Arnstadt to Lübeck to visit the organist and composer Dieterich Buxtehude. This 250-mile journey was to become pivotal for this teacher and as yet unknown composer, Johann Sebastian Bach. He had got permission for four weeks leave, but his visit ended up taking more than four months which upset his current employers at New Church, Arnstadt. It wasn’t a pilgrimage in the usual sense, rather he was continuing the long tradition of being a wandering scholar. He would pass through a series of cities, duchies and mini-states, would be a transformative moment in his career.

Three centuries later Horatio Clare set off on the same journey, to follow in his footsteps immerse himself in the landscape and perhaps gain some insight and understanding to the great man. Clare was not alone like Bach though, nor was he armed like Bach almost certainly was, instead, he was accompanied by Richard who was recording the journey and Lindsey who was producing it for BBC Radio 3.

It is though a sky cannot be quite large enough to contain the gentle venerations of the cello.

Some of the noises that they encounter would have been the same as Bach encountered on his walk, the burble of the river, bird calls and songs and the wind rustling through the trees, but compared to those days when working on the land was essential to survival, they encounter almost no one on parts of their walk. There would be no drone of traffic, rather Bach would have heard the squeak of cartwheels behind the heavy breathing of horses. As Clare emerges from the paths into the cities, he knows he is treading the same cobbles that Bach will have walked upon too.

The sun goes down leaving crimson scripts and a huge flourish of flared cloud above pine forestry.

Clare’s describes his walk as being close on the heels of Bach’s ghost, and as they arrive in Lubeck the anticipation is electric. Entering the church send shivers up his spine, It is not the same building, having been rebuilt after World War 2, but Bach’s still presence permeates the space. There is something deeper going on here too, the music that Bach wrote stemmed from what he learnt and mastered here in the freedom that Lübeck allowed. Something of his Art is a well researched and passionate about its subject, however, it is the quality of Clare’s writing and his keen eye describing the places they walk through make this a special book to read. ( )
  PDCRead | Apr 6, 2020 |
In these field-notes H. C. records how he and two BBC sound engineers retraced the 250 mile walk from Arnstadt to Lübeck which, in the winter of 1705, the 20-year old Johann Sebastian Bach undertook in order to listen to Dietrich Buxtehude, organist at St. Mary’s (der Marienkirche) in Lübeck. I had come across the Radio 3 broadcast by chance but had not listend to much more than a quarter- or half-an-hour. The book is a present; it is unlikely that I would have picked it up had I come across it browsing in a bookstore. But as the book is a mere 90 pages, well printed with an attractive cover I opened it immediately and read it in one go.

H.C. brings the young Bach close to life - real in what we know of him or imagined in what can be safely inferred. He imagines his personality „seething with energy, talent and curiosity … with confidence, even arrogance“ just as it is expressed by the statue in the market square of Arnstadt.

H.C.’s language ranges from the poetic in describing the landscape he walks through („You walk through rainbows of autumnal colour, jades, golds, opals and emerald. A line of migrating cranes in a skein pass over, their conversation like voices, cymbals and trumpets“. (46) „The smell of the larches in the clear air is as sharp and pointed as their needles, the scents of the track a sweet intermingling of pine and larch and earth and dew. A buzzard cries above us, the true call of the gentle wild, that longing, summoning keen.“ 70) to vacuities I could have done without („‘A good egg, that Bach’, I tease him …“). He tells of Bach’s cello suites and how listening to them helped him getting out of depression. I liked his openness talking about very painful memories.

If you love Bach’s music, then reading this book is good way to spend a few hours accompany Bach on his walk. You can also listen to the podcasts at https://player.fm/series/slow-radio/bach-walks-Xq7JyQoVHQVJpsrd (VII-19) ( )
  MeisterPfriem | Jul 27, 2019 |
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"At a certain moment here in Arnstadt he had so strong an urge to hear as many good organists as he could that he set out for Lübeck, on foot, in order to hear the famous organist of St Mary's, Dieterich Buxtehude. He stayed there no without benefit for almost quarter of a year, and then turned back to Arnstadt."
Emanuel Bach's obituary for his father.
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To John Clare, with love and deepest thanks for all the books, art, music and ideas he has always shared with me, so kindly and so thoughtfully. Thank you, dearest Dad.
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In the market square at Arnstadt in Thuringia, southern Germany,a young man lolls on his plinth, shirt open, legs apart, hands poised as though he plays an invisible lute.
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In the depths of winter in 1705 the young Johann Sebastian Bach, then unknown as a composer and earning a modest living as a teacher and organist, set off on a long journey by foot to Lubeck to visit the composer Dieterich Buxterhude, a distance of more than 250 miles. This journey and its destination were a pivotal point in the life of arguably the greatest composer the world has yet seen. Lubeck was Bach's moment, when a young teacher with a reputation for intolerance of his pupils' failings began his journey to become the master of the Baroque.

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