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Cargando... The Pornographic Agepor Alain Badiou
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Offering a piercing indictment of what we have let ourselves become, this short, critical work is a damning critique of the current age and of the democratic systems that characterize it. Alain Badiou argues that any truly radical politics must begin with dismantling the obscene (or pornographic) qualities of neoliberal capitalism. In The Pornographic Age he asks us to hold up a mirror to ourselves and confront the debasement of the political realities in which we live, the shock of which must galvanize us into action. It is only through this realization, this crucial confrontation with the perversity with which we conduct our daily lives that we can prompt true revolution. Including an afterword from international Badiou scholars A. J. Bartlett and Justin Clemens and a commentary by William Watkin, this book is a philosophical call to arms- Badiou's radical indictment of the current age is an exciting, no-holds-barred exploration of both how we live and how we might live. No se han encontrado descripciones de biblioteca. |
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First came agriculture, which vastly increased our numbers, established social hierarchies, and began disengagement from nature.
Along came capitalism, which bought people's lives and paid them with barest necessities and cheap goods.
Fast forward to now, where ordinary consciousness is chopped up into clouds of images planted there for the profit of the power holders. We think of ourselves as living in democracies, but power is held by money, an abstract god playing a shallow tune that keeps everyone, great or small, dancing until nature finally cuts it with physical death (that part hasn't changed).
Badiou's pornography is not just sexual images, but the whole cloudscape of images that keep us dancing, images of houses, cars, vacation trips, success. We know the game, because we've been successfully bought off to be more or less satisfied. But our real life, our vital present, he says, has mostly leached away. We sense a puzzling loss.
This, more or less, is Badiou's bleak vision. What are we supposed to do about it? Badiou tries for a rhetorical response, but can really only wave his hands. ( )