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Cargando... Don't Call Me Princess: Essays on Girls, Women, Sex, and Lifepor Peggy Orenstein
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. These essays on life and womanhood are poignant and thoughtful, exploring a variety of topics such as breast cancer, feminism, having a child, raising children, child fame, and forces which shape women's lives. I agree with most of what Orenstein has to say and I appreciated her nuanced viewpoints. ( ) Don’t Call Me Princess is a collection of essays and articles written by Peggy Orenstein over the course of her career. Focused primarily on women and girls and the issues they face, there are twenty-eight different articles that reveal how her thinking and her priorities have changed over time. It is interesting when she revisits an issue such as the value of breast cancer support groups and her opinions shift over time and her own experience. She writes about young women, dress codes, sexuality and sex education, about fertility, miscarriage, and parenting, and about cancer and survival. Throughout the years, most of what matters to women and girls in America have come under her scrutiny and been written about in her essays. Peggy Orenstein is a good journalist. She writes well and is refreshingly candid. I enjoyed each essay individually. I think she organized the essays well, in clusters that make sense. She begins with a collection of seven profiles of very different women who made a difference. There are eight essays that focus on health issues five about mothering, and eight that focus more on side effects of misogyny, body image, lack of confidence, and the lack of intimate justice. Twenty-eight articles in all. So, I think this book suffers from two very contradictory weaknesses. I simultaneously wish there were fewer articles and more. It is interesting when her opinion changes, but I would just as soon have the most recent article only with a short mention of her previous article. It just seems like a lot, but then, on the other hand, I would have liked to see more from after the election of Trump. Her article on Hillary is from 2008. Why not from 2016 when the misogyny was so strong from left and right? It feels like she side-stepped the issue of sexism in the 2016 election. The most recent article is shortly after the Access Hollywood tape, “How to be a Man in the Age of Trump” but really, I would love her thoughts on how to resist, how to avoid despair, how to hold on. Her introductions acknowledge his election, but ending before the election just feels like sidestepping the most immediate issue. I received an e-galley of Don’t Call Me Princess from the publisher through Edelweiss Don’t Call Me Princess at Harper Collins Peggy Orenstein author site https://tonstantweaderreviews.wordpress.com/2018/03/19/9780062688903/ sin reseñas | añadir una reseña
Essays.
Literary Criticism.
Sociology.
Nonfiction.
HTML: The New York Times bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays??funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls' and women's progress (or lack thereof) in what Orenstein once called a "half-changed world." Named one of the "40 women who changed the media business in the last 40 years" by Columbia Journalism Review, Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls' sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics. In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless??they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate. Don't Call Me Princess offers a crucial evaluation of where we stand today as women??in our work lives, sex lives, as mothers, as partners??illuminating both how far we've come and how far we still have No se han encontrado descripciones de biblioteca. |
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