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Cargando... Philosophy as Poetry (Page-Barbour Lectures)por Richard Rorty
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. If you have not yet read Rorty, you could do a lot worse than beginning with Philosophy as Poetry. These lectures are generally accessible. Originally prepared as lectures, they move at a walking pace presenting Rorty's grand narrative of philosophy. Offering a story and vision of this scope is, I think, what Rorty likes to do best. Michael Bérubé's introduction does many things well too. Personally, I like the way that it captures some of Rorty's mannerisms (his never dismissive now-what-am-I-to-do-with-that shrugs), but I like best that it captures something of the fraught and exciting Charlottesville scene in the 80's, which Rorty contributed to, in, of all places, a graduate English department. Bérubé tells one anecdote about the Hirsch / Rorty debate which was pretty much par for the course: high drama minus any of the ultimate resolution that many were seeking. In Rorty's graduate seminar on Freud and Philosophy which Michael mentions, a professor from the English Department sitting in on the seminar declared that Rorty's philosophy had the rigor of what he referred to as a "California beach philosophy." (My own memory is a bit fuzzy, but Rorty's response amounted to a few words that were the equivalent of a shrug. What does one say to a criticism that reduces years of writing and work to a single, flip phrase?) In that same seminar, after great provocation, Rorty confronted another professor who insisted, almost from the first class, on hijacking the conversation. Rorty finally warned him that he would no longer be welcome if he did not behave--a warning offered in a direct but gentle way. Civil conversation was restored. The professor chose not to return. In what was for me the most interesting moment of that seminar, another fellow professor from the English department explained to 'Dick' near the beginning of a session why he thought he was misreading one of the books assigned for that week. Rorty considered for a few moments and agreed. He moved his seminar notes to the side and basically spun out a new line of argument on the fly for the rest of the class, following the thread suggested in the criticism. Rorty always fulfilled his role as a listener in the conversational contract with colleagues and students. Someone spoke. He listened. He actually responded to what they had said, not to what he wanted to say next. If he could not parse what they said, or if he perceived that the gap between his words and theirs could not be bridged in a reasonable number of sentences, but required a lot of unavailable conversational time, or that they were merely taking a public ride on their favorite hobbyhorse--shrug. I can't recall the commentator who, upon seeing/hearing Rorty for the first time referred to his presence and presentation as that of Eeyore of Pooh fame. It is a deft observation. When those who have only read him finally see/hear him for the first time, they might still disagree with the argument, but they have grudgingly to admire its presentation. Rorty very much cared about the way insights were offered. Style and tone matter for professors, philosophers, and poets. Philosophy and Poetry, like almost everything Rorty writes, captures his respect for other voices and opposing intellects. His argument is interesting and useful as well. And for some, that is enough. sin reseñas | añadir una reseña
Undeniably iconoclastic, and doggedly practical where others were abstract, the late Richard Rorty was described by some as a philosopher with no philosophy. Rorty was skeptical of systems claiming to have answers, seeing scientific and aesthetic schools as vocabularies rather than as indispensable paths to truth. But his work displays a profound awareness of philosophical tradition and an urgent concern for how we create a society. As Michael Bérubé writes in his introduction to this new volume, Rorty looked upon philosophy as "a creative enterprise of dreaming up new and more humane ways to live." Drawn from Rorty's acclaimed 2004 Page-Barbour lectures, Philosophy as Poetry distills many of the central ideas in his work. Rorty begins by addressing poetry and philosophy, which are often seen as contradictory pursuits. He offers a view of philosophy as a poem, beginning with the ancient Greeks and rewritten by succeeding generations of philosophers seeking to improve it. He goes on to examine analytic philosophy and the rejection by some philosophers, notably Wittgenstein, of the notion of philosophical problems that have solutions. The book concludes with an invigorating suspension of intellectual borders as Rorty focuses on the romantic tradition and relates it to philosophic thought. This book makes an ideal starting place for anyone looking for an introduction to Rorty's thought and his contribution to our sense of an American pragmatism, as well as an understanding of his influence and the controversy that attended his work. Page-Barbour Lectures No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)191Philosophy and Psychology Modern western philosophy American and Canadian philosophersClasificación de la Biblioteca del CongresoValoraciónPromedio:
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Rorty hinges pretty much everything on language, and while I agree that language is an important/defining part of being human, I disagree that there is no complex communication without language. I'm guessing he never had children or spent time with young infants, or ever had a close relationship with a pet. To my mind, the extent of our ability to community without language only serves to underscore his point about the ultimate impact of language. ( )