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Piano Roles: Three Hundred Years of Life with the Piano

por James Parakilas

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The piano puts whole worlds of musical sound at the fingertips of one player, evoking the singing of a solo voice, the textural richness of an orchestra, and the rhythmic impetus of a dance band. It has been background or center stage in concertgoing, parlor singing, choir rehearsals, theatrical tryouts, and many other activities, forging a common bond among people of very different social spheres. This delightfully written and copiously illustrated book examines the place of the piano in classical and popular musical cultures and the piano's changing cultural roles over the past three centuries. Eminent authorities discuss the impetus for the invention of the piano; the innovations in its design, manufacturing, and marketing that promoted its growing significance in concert life and domestic life; and the importance of the piano lesson in the upbringing of the young-especially of girls. They explore the relationship between the piano on the public stage and the piano in the parlor; the spread of the piano to all parts of the world; and the images formed around the piano in literature, art, and movies. And they eloquently describe what the piano has meant to different eras, as it evolved from the plaything of European aristocrats to companion of people of all classes and cultures.… (más)
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The piano turned 300 in the year of this books publication. To celebrate, Parakilas (music, Bates Coll.; Ballads Without Words: Chopin and the Tradition of the Instrumental Ballade) has assembled a group of distinguished contributors and fashioned a lavishly illustrated social history of the piano directed at informed lay readers. Interweaving a chronological treatment of the piano's development with thematic essays, including how the piano is depicted in art, its manufacture and marketing, the role of the piano in motion pictures, the piano lesson, and its history in Japan, the authors share their warm regard and enthusiasm for this instrument central to so many facets of music-making. Exploring the piano's well-traveled avenues and little-known byways, this thoroughly entertaining and insightful book complements earlier titles like The Lives of the Piano (ed. by James R. Gaines; 1981. o.p.), Dieter Hildebrandt's Pianoforte: A Social History of the Piano (LJ 6/1/88), and David Crombie's Piano (LJ 1/96).
  antimuzak | Feb 4, 2007 |
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The piano puts whole worlds of musical sound at the fingertips of one player, evoking the singing of a solo voice, the textural richness of an orchestra, and the rhythmic impetus of a dance band. It has been background or center stage in concertgoing, parlor singing, choir rehearsals, theatrical tryouts, and many other activities, forging a common bond among people of very different social spheres. This delightfully written and copiously illustrated book examines the place of the piano in classical and popular musical cultures and the piano's changing cultural roles over the past three centuries. Eminent authorities discuss the impetus for the invention of the piano; the innovations in its design, manufacturing, and marketing that promoted its growing significance in concert life and domestic life; and the importance of the piano lesson in the upbringing of the young-especially of girls. They explore the relationship between the piano on the public stage and the piano in the parlor; the spread of the piano to all parts of the world; and the images formed around the piano in literature, art, and movies. And they eloquently describe what the piano has meant to different eras, as it evolved from the plaything of European aristocrats to companion of people of all classes and cultures.

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