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Imaginations (1971)

por William Carlos William

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302186,976 (4.17)1
From the cover. Imaginations makes accessible to the broad reading public five early books by William Carlos Williams, which, except for Kora in Hell, have long been hard to find in their original and complete forms. Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward." The prose-poem improvisations (Kora in Hell) ... the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) ... an antinovel whose subject is the impossibility of writing "The Great American Novel" in America ... automatic writing (A Novelette) ... these are the challenges which Williams accepted and brilliantly met in his early work.… (más)
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Reading especially Spring And All, one witnesses the break from the past, in poetry, in thinking, in perception, in spirituality. The barnacles of mush fall away - the world, the earth is re-discovered. Williams finds the center, experiences the center of consciousness.

...the imagination is an actual force
comparable to electricity or steam...the work
of imagination is not “like” anything but
transfused with the same forces which transfuse
the earth...it possesses the quality of independent
existence, of reality which we feel in ourselves.

Spring and All ( )
  ronsea | Aug 23, 2013 |
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From the cover. Imaginations makes accessible to the broad reading public five early books by William Carlos Williams, which, except for Kora in Hell, have long been hard to find in their original and complete forms. Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward." The prose-poem improvisations (Kora in Hell) ... the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) ... an antinovel whose subject is the impossibility of writing "The Great American Novel" in America ... automatic writing (A Novelette) ... these are the challenges which Williams accepted and brilliantly met in his early work.

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