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Cargando... The Tragicall Historie of Hamlet Prince of Denmarke (1603)por William Shakespeare, Graham Holderness (Editor)
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The first quarto of Hamlet is radically different from the second quarto and Folio versions of the play, and about half their length. But despite its uneven verbal texture and simpler characterisation, the first quarto presents its own workable alternatives to the longer texts, reordering and combining key plot elements, and even including a unique scene between Horatio and the Queen. This new critical edition is designed for students, scholars and actors who are intrigued by the first printed text of Shakespeare's Hamlet. Although the first quarto has been reprinted many times, there is no other modernised edition in print. Irace's introduction outlines views of its origins, its special features, and its surprisingly rich performance history; her textual notes point out differences between the first quarto and the longer second quarto and Folio versions and offer alternatives which actors or directors might choose for specific productions. No se han encontrado descripciones de biblioteca. |
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 Google Books — Cargando...GénerosSistema Decimal Melvil (DDC)822.33Literature English English drama Elizabethan 1558-1625 Shakespeare, William 1564–1616Clasificación de la Biblioteca del CongresoValoraciónPromedio: (3.88)
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Now I'm not a Shakespearean scholar — just a casual consumer. Hamlet happens to be one of my favorite plays. The reason I read this version was I wanted to look up Claudius's name just to verify that I'd remembered the king's name correctly. Turns out in this version, the king didn't have a name and most of the other characters didn't have the names they have now.
So while the First Quarto didn't help me answer my initial question, I got sucked into the discussion of piracy and story tropes. If you think the internet has made piracy worse, I would argue this book shows it hasn't.
While Albert B. Weiner argues in his introductory essay that Hamlet wasn't outright pirated, piracy did exist back then. Copyright, though, wasn't owned by the author. It was owned by whomever commissioned the play just as modern day patents are often owned by the company who hires the inventor.
But plays were remembered by audience goers and there were probably guys there who were great at whatever the Elizabethan version of shorthand was. So just as cellphones are now used to record films in theaters, plays were watched, transcribed, changed up a bit and shipped out to other places to be put on.
So if you're interested in reading something that is clearly Hamlet but isn't quite, I recommend reading the First Quarto version. It's really no different than the numerous relaunches of various comic book stories that Marvel and DC have done. But it's Hamlet! (