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Today I Am a Boy

por David Hays

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"Can I now, a white-haired man who gets into the movies at reduced cost, Do I have any magic words left? Can I get a miracle? If I can recall my youth and understand it, that may be the miracle I seek now." When David Hays was 66 and had joined a synagogue for the first time in over fifty years, he decided to study Hebrew and be a bar mitzvah. And so this world-renowned theatrical designer, founder of the legendary National Theatre of the Deaf, father of two grown children and coauthor of the best-selling "My Old Man and the Sea," borrowed his grandson's beginner's Hebrew workbook and joined a class of twelve-year-olds. It launched a wondrous journey of faith and community. In "Today I Am a Boy," Hays's new world begins to intersect with his own history: on Yom Kippur, Hays, who has sailed around Cape Horn with his son, reads the story of Jonah to the congregation and gives a sermon on the Old Testament and the sea. His long-dormant love of learning is wholly rekindled. At the stage of life when most of us begin to slow down, Hays feels more alive than ever, rejuvenated by newfound connections to his youth and faith. His… (más)
296.092 (1) 296.092 Hays (1) a chapter devoted to a heartfelt account of his mother's death is followed by one that includes his musings on the stresses his preteen classmates must face. The sincerity of Hays's quest can't be doubted; for class (1) and there's discontinuity between his life and his religious experience: he notes that he has already written about the themes of ""growing older and lost love"" in a book about stage lighting. Following his bar mitzvah (1) autobiografía/biografía (2) Bar Mitzvah (3) Bar/ Bat Mitzvahs (1) BIO HAY (1) Biografía (11) David Hays (2) Estados Unidos de América (1) has left him unmoored.) Hays's deft touch (not to mention his wife's delightful malapropisms) makes the book an easy read (1) he has yet to grapple with some of the deeper questions provoked by the Jewish tradition. This book lacks the magic touch of Hays's last one and is unlikely to perform at a commensurate level; his theatrical background (1) he wrote (and here reprints) a thoughtful essay on what might have happened if Anne Frank had lived. However (1) Jews-Connecticut (1) Judaísmo (5) judío (4) Lecturas avanzadas (1) making up for decades of neglect in his religious education. This charming but slight memoir mixes the author's account of his classroom experiences among a bunch of 12-year-olds he dubs the ""Hormone Hurricanes"" and a rabbi younger than his son with ref (1) Mayoría de edad (1) Memorias (5) No ficción (2) Religión (2) Shelf14 (2) should energize his 6-city tour. COVER TYPE: Soft (1) TBE Library (1) TempleConcord (1) ~CVR~ (1) ~EDT~ (1) ~TAG~ (1)
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NO OF PAGES: 255 SUB CAT I: Bar/Bat Mitzvah SUB CAT II: SUB CAT III: DESCRIPTION: At age 66, theatrical designer Hays coauthor of the best-seller My Old Man and the Sea (with his son Daniel) Decided to study for his bar mitzvah, making up for decades of neglect in his religious education. This charming but slight memoir mixes the author's account of his classroom experiences among a bunch of 12-year-olds he dubs the ""Hormone Hurricanes"" and a rabbi younger than his son with reflections on his family and his own life path. (Trouble at the acclaimed National Theater for the Deaf, which he founded, has left him unmoored.) Hays's deft touch (not to mention his wife's delightful malapropisms) makes the book an easy read, but the narrative can be choppy: for example, a chapter devoted to a heartfelt account of his mother's death is followed by one that includes his musings on the stresses his preteen classmates must face. The sincerity of Hays's quest can't be doubted; for class, he wrote (and here reprints) a thoughtful essay on what might have happened if Anne Frank had lived. However, his classmates aren't that compelling (they're just kids, after all), and there's discontinuity between his life and his religious experience: he notes that he has already written about the themes of ""growing older and lost love"" in a book about stage lighting. Following his bar mitzvah, he has yet to grapple with some of the deeper questions provoked by the Jewish tradition. This book lacks the magic touch of Hays's last one and is unlikely to perform at a commensurate level; his theatrical background, however, should energize his 6-city tour.NOTES: Purchased from Amazon Marketplace. SUBTITLE: The Bar Mitzvah Journey of a Grown Man
  BeitHallel | Feb 18, 2011 |
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"Can I now, a white-haired man who gets into the movies at reduced cost, Do I have any magic words left? Can I get a miracle? If I can recall my youth and understand it, that may be the miracle I seek now." When David Hays was 66 and had joined a synagogue for the first time in over fifty years, he decided to study Hebrew and be a bar mitzvah. And so this world-renowned theatrical designer, founder of the legendary National Theatre of the Deaf, father of two grown children and coauthor of the best-selling "My Old Man and the Sea," borrowed his grandson's beginner's Hebrew workbook and joined a class of twelve-year-olds. It launched a wondrous journey of faith and community. In "Today I Am a Boy," Hays's new world begins to intersect with his own history: on Yom Kippur, Hays, who has sailed around Cape Horn with his son, reads the story of Jonah to the congregation and gives a sermon on the Old Testament and the sea. His long-dormant love of learning is wholly rekindled. At the stage of life when most of us begin to slow down, Hays feels more alive than ever, rejuvenated by newfound connections to his youth and faith. His

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