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The News from Spain: Seven Variations on a…
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The News from Spain: Seven Variations on a Love Story (edición 2012)

por Joan Wickersham (Autor)

MiembrosReseñasPopularidadValoración promediaMenciones
16914161,484 (3.86)6
In these seven beautifully wrought variations on a theme, a series of characters trace and retrace eternal yet ever-changing patterns of love and longing, connection and loss. The stories range over centuries and continents--from eighteenth-century Vienna, where Mozart and his librettist Da Ponte are collaborating on their operas, to America in the 1940s, where a love triangle unfolds among a doctor, a journalist, and the president's wife. A race-car driver's widow, a nursing-home resident and her daughter, a paralyzed dancer married to a famous choreographer, all feel the overwhelming force of passion and renunciation. With uncanny emotional exactitude, Wickersham shows how we never really know what's in someone else's heart, or in our own; how we continually try to explain others and to console ourselves; and how love, like storytelling, is ultimately a work of the imagination.… (más)
Miembro:beckyface
Título:The News from Spain: Seven Variations on a Love Story
Autores:Joan Wickersham (Autor)
Información:Vintage (2012), 224 pages
Colecciones:Tu biblioteca, Actualmente leyendo, Por leer
Valoración:***
Etiquetas:2013, short-stories-and-essays

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The News from Spain: Seven Variations on a Love Story por Joan Wickersham

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» Ver también 6 menciones

Mostrando 1-5 de 14 (siguiente | mostrar todos)
Ann Packer recommendation.
  wordloversf | Aug 14, 2021 |
I forget where I first encountered Wickersham's work; I think it may have been a story in a recent issue one story. I've come across a few authors featured in that little magazine whose work I've gone on to follow.

I was a little disappointed when I read the first story in The News from Spain. It was kind of dull, a story about infidelity and the difficulty of reconciliation. It seemed almost like a romance drama, if thankfully a few notches higher in terms of quality than the classic bodice ripper. But as I kept reading, the stories began to appeal to me more and more. They became in some cases stories about how stories are made, and there was here and there a touch of the avant garde -- or at least the nonconventional -- about them. Several of the stories also were quite dark, with sort of gut-punch endings that appealed to me.

Wickersham writes well, and though I don't think there was much in the book that I found especially inspiring (meaning: her work doesn't make me want to try writing my own stuff, which the fiction that most appeals to me does tend to do), I think there are some really good stories in the book. I'm glad I read it and will likely read more by her. ( )
  dllh | Jan 6, 2021 |
I should know better, rarely do I like a book of short stories. Even though it was short I had no interest to continue. ( )
  baruthcook | Aug 26, 2020 |
I don't think I loved this book as much as others. The writing was beautiful and complex and the emotion in the stories was real, but I just still didn't feel fully connected to the characters. ( )
  beckyface | Nov 22, 2015 |
I don't think I loved this book as much as others. The writing was beautiful and complex and the emotion in the stories was real, but I just still didn't feel fully connected to the characters. ( )
  beckyface | Nov 22, 2015 |
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In these seven beautifully wrought variations on a theme, a series of characters trace and retrace eternal yet ever-changing patterns of love and longing, connection and loss. The stories range over centuries and continents--from eighteenth-century Vienna, where Mozart and his librettist Da Ponte are collaborating on their operas, to America in the 1940s, where a love triangle unfolds among a doctor, a journalist, and the president's wife. A race-car driver's widow, a nursing-home resident and her daughter, a paralyzed dancer married to a famous choreographer, all feel the overwhelming force of passion and renunciation. With uncanny emotional exactitude, Wickersham shows how we never really know what's in someone else's heart, or in our own; how we continually try to explain others and to console ourselves; and how love, like storytelling, is ultimately a work of the imagination.

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