Ian WeirReseñas

Will Starling, who served as a surgeon’s assistant during wartime for 5 years, and his employer have returned to London in 1816 shortly after the Napoleonic Wars. It is a time when London’s inhabitants are striving to rise above the misfortune of war while surgeons seek to uncover the mysteries of life and death. Their ever-growing need to learn about human anatomy has given rise to a black market of grave robberies, for dissection purposes, subjecting them to distrust and fear by the general public.

This new world of experimental scientific knowledge is led by Dionysus Atherton, a surgeon convinced he can bring the dead back to life through unorthodox methods. His increasing thirst for knowledge, and the rumors which surrounded his practice, have raised Will’s suspicions. Will has his own reasons to dislike Dionysus, certain he harbors terrible secrets, and will stop at nothing to get the evidence he needs to put a stop to Dionysus’ way of practicing medicine. However, the more he digs into Dionysus’ life, the worst things become for Will until the secrets he uncovers forever changes his own life.

I enjoyed getting historical background about the great experiments with life and death attempted by surgeons of the day, as well as learning about the London of 1816, and could easily see how these unusual experiments seemed to have given Mary Shelley the inspiration she needed to write “Frankenstein.” What I did not enjoy was the increasingly confusing manner in which the story was told, going from the present to the past or even to the future, and then doubling back to the present. There were all manner of asides thrown into Will’s rambling narrative, which made me flip back and forth to figure out what had happened so I could put it in its context.

Despite these flaws, “Will Starling” will enlighten many on the subject of surgeons of the 19th century, as well as the life and times of 1816 London.

Recommended for Adult readers.

Blog link to review: https://shouldireaditornot.wordpress.com/2015/11/08/will-starling-ian-weir/

I was provided with an ARC by the publisher, and have been captivated ever since.
Will Starling is set in London in 1816, a city supercharged on the one hand by scientific advances yet hammered by the recently ended Napoleonic War. Will, an ex-soldier, moves in the seedy neighborhoods trying to make a living working for a surgeon and educating himself through his experiences and any book he can lay his hands on.
The story is one of a love that was lost because it was never truly given, the Doomsday Men who rob graves to feed the rapacious needs of the surgical colleges for cadavers, and a woman sacrificed to one surgeon’s desire for fame.
You won’t find much of the pretty parlors and ladies that populate so many other books. This takes readers into the filthy streets and derelict houses for an unflinching study of the realities most people lived at that time. The language is accurate to the times without becoming overwhelming for modern readers, and everything about the settings enhances the dark intentions of so many people…not the least of which reside in the heart of a surgeon who reaps other people’s pain for his own gain.
Once you read Will Starling, you’ll look for other books by Ian Weir. I certainly will.

"This is where the tale grows wild. We will need dark nights and thunderstorms as we proceed; howling winds, and hearts afire with unspeakable yearnings. But upon my oath and upon my soul: what I am telling you is true."

Whether Will Starling's version of truth will align with yours as a reader remains to be seen, but the process of determination is pure pleasure.

The sensory detail, the feisty characterization, the engaging pace: all of these qualities made Ian Weir's novel a stand-out read for me.

I discuss it in detail here, alongside LInden MacIntyre's novel, Punishment.½

Will Starling is set in the years after the Napoleonic War during a time when Doomsday men rob graves to help the surgeons and medical schools find cadavers with which to further their learning. Our lead character and narrator comes across clearly, with a strong character and powerful voice and the disadvantages of poverty, ugliness, and having been raised an orphan. He's both street smart and quite sharp, he's learned to live by his wits and is quite fond of large words and pretty turns of phrase. He's not shy about pushing himself forward and keeps his eye out for an opportunity. He apprentices to a surgeon and travels in the underworld, this leads him to discover the possible shady tactics of other surgeons and an illicit attempt to raise the dead.

The writing and language is sharp and distinct. Will Starling is an unusual lead character and for those who enter his world, someone hard to forget.

Though written with a light and lively flair, this book falls apart with its weak plotting and characters, further hampered with needless post-modern perspective shifts between multiple narrators, all equally dreary and confusing to discern. When the book reveals its nifty premise within the first pages of its hero's fistfight with the Devil, reaching that showdown becomes incredibly tedious. The book's largest is its inability to commit to developing any of its multiple narrator's subplots as plots, as the big fight quickly becomes backdrop to explore the inner workings of London's lower class struggling with romance and redemption. The hero himself Daniel O'Thunder starts off as an intriguing juggernaut of heroicism and morality, but is soon exposed as one of the most one-dimensional entities in all of literature, a broken record of Christian kindness. So while the book is written quite skillfully with a keen ear for the times' style and dialog, the story is just one long, meandering slog to a brief, disappointing and cliche finale.½