Imagen del autor

John Crowe Ransom (1888–1974)

Autor de Selected Poems

44+ Obras 325 Miembros 3 Reseñas 3 Preferidas

Sobre El Autor

A Rhodes scholar who went to Oxford University from Vanderbilt University, John Crowe Ransom later taught at Vanderbilt University from 1914 to 1937. While there, he became mentor to a number of individuals, including Robert Penn Warren and Cleanth Brooks, who later became involved in the New mostrar más Criticism with Ransom. Professor of poetry at Kenyon College, Ohio, from 1937 to 1958, Ransom founded The Kenyon Review in 1939. He was also one of the seven residents of Nashville, Tennessee, who founded and edited The Fugitive (1922--25) and, according to Louis Untermeyer, "He more than any of the others was responsible for the new awakening of poetry in the South." He won the Academy of American Poets' $5,000 fellowship prize (1962) for his "distinguished poetic achievement." He also won the Bollingen Prize in poetry and the Loines Award for poetry. By writing a handful of lyrics remarkable for their irony and structural tensions, as well as critical essays that praised just these virtues in the name of New Criticism, Ransom had an influence far beyond many of his peers. (Bowker Author Biography) mostrar menos
Créditos de la imagen: Bowen School Yearbook: 1903 Senior Class

Obras de John Crowe Ransom

Selected Poems (1945) 113 copias
Poems and Essays (1955) 63 copias
The World's Body (1938) 17 copias
The Kenyon Review (2010) 17 copias
The New Criticism. (1979) 14 copias
God Without Thunder (1930) 11 copias
The Kenyon Critics (1951) 7 copias
Poems about God (2011) 3 copias

Obras relacionadas

Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contribuidor, algunas ediciones922 copias
A Pocket Book of Modern Verse (1954) — Contribuidor, algunas ediciones443 copias
Critical Theory Since Plato (1971) — Contribuidor, algunas ediciones399 copias
Criticism: Major Statements (1964) — Contribuidor — 222 copias
American Religious Poems: An Anthology (2006) — Contribuidor — 162 copias
American Wits: An Anthology of Light Verse (2003) — Contribuidor — 135 copias
A Comprehensive Anthology of American Poetry (1929) — Contribuidor — 129 copias
The Norton Book of Travel (1987) — Contribuidor — 110 copias
The Literature of the American South: A Norton Anthology (1997) — Contribuidor — 98 copias
Twentieth-Century American Poetry (1777) — Contribuidor — 97 copias
Wolf's Complete Book of Terror (1979) — Contribuidor — 76 copias
The Everyman Anthology of Poetry for Children (1994) — Contribuidor — 72 copias
American Sonnets: An Anthology (2007) — Contribuidor — 66 copias
Selected Poems of Thomas Hardy (1961) — Editor — 47 copias
Who Owns America: A New Declaration of Independence (1970) — Contribuidor — 45 copias
An American Omnibus (1933) — Contribuidor — 31 copias
60 Years of American Poetry (1996) — Contribuidor — 28 copias
Praising It New: The Best of the New Criticism (2008) — Contribuidor — 23 copias
The Intent of the Critic (1941) — Contribuidor — 15 copias
Lectures in Criticism (1961) — Contribuidor — 13 copias
Oxford and Oxfordshire in Verse (1982) — Contribuidor — 11 copias
Perspectives on poetry (1968) — Contribuidor — 7 copias
Case-Record from a Sonnetorium (1951) — Contribuidor — 6 copias
New World Writing 19 (1961) — Contribuidor — 2 copias
A VOYAGE TO THE BRITISH ISLES (1940) — Prólogo — 1 copia
Conversations on the craft of poetry — Contribuidor — 1 copia

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At Vanderbilt, Ransom was a founding member of the Fugitives, a Southern literary group of 16 writers that functioned primarily as a kind of poetry workshop and included Donald Davidson, Allen Tate, and Robert Penn Warren. Under their influence, Ransom, whose first interest had been philosophy (specifically John Dewey and American pragmatism) began writing poetry. Ransom was a leading figure of the school of literary criticism known as the New Criticism, which gained its name from his 1941 volume of essays The New Criticism. The New Critical theory, which dominated American literary thought throughout the middle 20th century, emphasized close reading, and criticism based on the texts themselves rather than on non-textual bias or non-textual history.
Both Ransom's essays and poetry are worthwhile to read. As a student in the continuing education programs of the University of Chicago I especially enjoyed the essay, "Humanism at Chicago". It is a thoughtful review of some of the thought of the humanists who made Chicago great.
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Denunciada
jwhenderson | Feb 28, 2013 |
Certainly literary, and high quality writing, but not a literary journal I can read cover to cover (which is what I normally do with journals) without wandering. I can't help feeling that the work always has very high ambitions (and perhaps achievements and themes also in many cases)--but is usually lacking in passion. Very rarely do I start reading anything in this one that I very simply can't put down. I feel like it's worthwhile....but it's not a journal I turn to for escape or simple pleasure. I will say that the essays here are often fascinating and out of the ordinarly. Those, I recommend without reserve.… (más)
½
 
Denunciada
whitewavedarling | Jul 28, 2008 |

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Obras
44
También por
36
Miembros
325
Popularidad
#72,884
Valoración
4.0
Reseñas
3
ISBNs
20
Favorito
3

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