Georgia O'Keeffe (1887–1986)
Autor de One Hundred Flowers
Sobre El Autor
Créditos de la imagen: Photo portrait of Georgia O'Keeffe by Alfred Stieglitz, 1918
(with Photoshop corrections by Steve Hopson) - Wikipedia
(with Photoshop corrections by Steve Hopson) - Wikipedia
Series
Obras de Georgia O'Keeffe
My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare… (2011) 73 copias
Georgia O'Keeffe: Selections from One hundred flowers, In the West, The New York years (2001) 23 copias
Georgia O'Keeffe - Gemälde: Neuauflage. Ausstellung München HypoKunsthalle 3.2. bis 13.5.2012… (1995) 10 copias
Georgia O'Keeffe & her contemporaries: Amarillo Art Center, September 7-December 1, 1985 in honor of the 75th… (1985) 5 copias
Poppies 2 copias
Sunflower 1 copia
Jack-In-the-Pulpit No. II 1 copia
To See Takes Time 1 copia
red poppies 1 copia
Rare Georgia O Keefe One Hundred Flowers Barnes & Noble Books 1987 [Hardcover] Georgia O Keefe 1 copia
Jack-In-the-Pulpit No. IV 1 copia
Large Dark Red Leaves on White 1 copia
Sunflower, New Mexico 1 copia
Black Hollyhock Blue Larkspur 1 copia
Petunias 1 copia
Georgia O'Keeffe. A studio book 1 copia
Georgia O'Keefe, Paintings 1 copia
Oak Leaves, Pink and Grey 1 copia
"Horse's Skull with White Rose" 1 copia
White Iris 1 copia
Sunflower, New Mexico 1 copia
Sunflower poster 1 copia
Red Hills with Flowers 1 copia
Poppy 1 copia
An exhibition by Georgia O'Keeffe at the Worcester Art Museum, October 4 through December 4, 1960 1 copia
Ranchos church 1 copia
O'Keeffe (Mega Squares) 1 copia
Red Canna 1 copia
Cottonwood Tree in Spring 1 copia
White Pansy 1 copia
White Flower 1 copia
Calla Lily Turned Away 1 copia
Oriental Poppies 1 copia
Morning Glory With Black 1 copia
White Birch 1 copia
datura blossoms 1 copia
"Light Iris" 1 copia
"White Camelia" 1 copia
Chama River 1 copia
"Taos Pueblo" 1 copia
Obras relacionadas
A Painter's Kitchen-Revised Edition: Recipes from the Kitchen of Georgia O'Keeffe (Red Crane Cookbook Series) (1991) — algunas ediciones — 78 copias
Etiquetado
Conocimiento común
- Nombre legal
- Georgia Totto O'Keeffe
- Fecha de nacimiento
- 1887-11-15
- Fecha de fallecimiento
- 1986-03-06
- Lugar de sepultura
- ashes scattered from Pedernal Mountain, New Mexico
- Género
- female
- Nacionalidad
- USA
- Lugares de residencia
- Sun Prairie, Wisconsin, USA (birth)
- Educación
- School of the Art Institute of Chicago
University of Virginia - Ocupaciones
- Painter
- Relaciones
- Stieglitz, Alfred (husband)
- Organizaciones
- American Academy of Arts and Letters (Art, 1949)
- Premios y honores
- National Medal of Arts (1985)
William Merritt Chase still-life prize for her oil painting mona shehab
Presidential Medal of Freedom (1977)
Miembros
Reseñas
Listas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 92
- También por
- 9
- Miembros
- 1,572
- Popularidad
- #16,427
- Valoración
- 4.4
- Reseñas
- 21
- ISBNs
- 80
- Idiomas
- 7
Along with more than seventy of O’Keeffe’s paintings and drawings were photographs of her, notably those by her promoter and husband, Alfred Stieglitz. Although his figure studies contributed to a reductionist interpretation of her flower paintings, my take after reading the essays in this book is that these were not exploitation but that O’Keeffe worked with Stieglitz in forming her public persona. Her life, her work, and the photos interpret each other. Taken together, they present the image of an autonomous personality.
The essays by Bice Curiger, Carter Ratcliff, and Peter J. Schneemann reiterate this. While the reading “flowers equal genitalia” is too simplistic, it seems that O’Keeffe’s denial of this view should not be taken at face value either.
The book includes “Momentaufnahmen,” short reactions by sixteen artists. While most are positive, some indicate they admire the person and what she represents more than the work. This seems related to her delayed reception in Europe. Her work is too abstract to be representational, too representational to be abstract.
O’Keeffe has been a favorite since I first saw her paintings in the 1960s. I enjoyed the Zurich retrospective, a mix of familiar work and many I hadn’t seen before. And I’m glad I can revisit the exhibit through the pages of this book.… (más)