Fotografía de autor

Warja Honegger-Lavater (1913–2007)

Autor de Le Petit Chaperon Rouge

56 Obras 110 Miembros 0 Reseñas 1 Preferidas

Sobre El Autor

Series

Obras de Warja Honegger-Lavater

Le Petit Chaperon Rouge (1965) 10 copias
William Tell (1962) 7 copias
Pictograms (2008) 6 copias
Tell (2019) 6 copias
Blanche Neige (1974) 4 copias
Cendrillon (1994) 3 copias
La Belle au Bois Dormant (1973) 2 copias
La Fable du Hasard (1968) 2 copias
La mélodie de turdidi (1971) 2 copias
Talentophages 1 copia
The fire and its caves (1967) 1 copia
Leporello 1 copia
Genetics (1962) 1 copia
Imageries 1 copia
The cricket and the ant (1962) 1 copia
Rape of the Sabine Women (1963) 1 copia
Match (1962) 1 copia
Die Party 1 copia
Night and day and night (1963) 1 copia
Homo Sapiens? 1 copia
Lucky Jack 1 copia
Ramalalup 1 copia
Tanabata 1 copia
Spectacle : un conte (1990) 1 copia
Extra-- ordinary Lemuel (1963) 1 copia

Etiquetado

Conocimiento común

Nombre canónico
Honegger-Lavater, Warja
Otros nombres
Lavater, Warja
Fecha de nacimiento
1913-09-28
Fecha de fallecimiento
2007-05-03
Lugar de sepultura
Friedhof Fluntern, Zürich, Switzerland
Género
female
Nacionalidad
Switzerland
País (para mapa)
Switzerland
Lugar de nacimiento
Winthertur, Switzerland
Lugar de fallecimiento
Zurich, Switzerland
Lugares de residencia
Moscow, Russia
Athens, Greece
Wintherthur, Switzerland
New York, New York, USA
Paris, France
Zurich, Switzerland (mostrar todos 8)
Stockholm, Sweden
Basel, Switzerland
Educación
Fachklasse für Grafik an der Kunstgewerbeschule Grafik
Ocupaciones
illustrator
editor
Relaciones
Honegger, Gottfried (husband)
Lavater, Johann Kaspar (great grandfather)
Lavater-Sloman, Mary (mother)
Hesse-Honegger, Cornelia (daughter)
Biografía breve
Moving to New York in 1958, she began designing scientific illustrations for the publisher Visuals. It was during this early period in New York that Honegger-Lavater became influenced by American street advertising and began to utilize pictograms as graphic representations of linguistic elements in her work. In 1962 she finished her first book, William Tell, which was published by New York's Museum of Modern Art. This work consisted of a single sheet lithograph, accordion folded, with a legend listing the meanings of the various symbols (e.g., a single blue dot represents William Tell). The story proceeds chronologically as the book unfolds, and told entirely by using the symbols without words. She produced a growing number of similar works throughout the rest of her career. (Wikipedia)

Miembros

Premios

Estadísticas

Obras
56
Miembros
110
Popularidad
#176,729
Valoración
½ 4.3
ISBNs
16
Idiomas
2
Favorito
1

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