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6 Obras 899 Miembros 12 Reseñas 2 Preferidas

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Incluye los nombres: Gimpel Jean, Jean Gimpel

Obras de Jean Gimpel

Etiquetado

Conocimiento común

Nombre canónico
Gimpel, Jean
Nombre legal
Gimpel, Jean Victor
Fecha de nacimiento
1918-10-10
Fecha de fallecimiento
1996-06-15
Lugar de sepultura
Cimetière communal, Treflez, Finistère, Bretagne, France
Género
male
Nacionalidad
France
Lugar de nacimiento
Paris, France
Lugar de fallecimiento
London, England, UK
Causa de fallecimiento
Naturelle (Vieillesse)
Lugares de residencia
Chelsea, London, England, UK
Educación
Lycée Louis-le-Grand, Paris, France (1938)
Le Rosey, Suisse
Swanbourne House School, Royaueme-Uni (1931)
Ocupaciones
diamond broker
historian
medievalist
art critic
Relaciones
Gimpel, Rene (father)
Duveen, Joseph, 1st Baron Duveen (uncle)
Gimpel Fils (brothers)
Organizaciones
French Resistance
Society for the History of Medieval Technology and Science
Models for Rural Development
Premios y honores
Croix de Guerre
Medaille de la Resistance
Legion d'Honneur
Biografía breve
Jean Gimpel was born in Paris, France, one of three sons of a French father, the well-known art dealer René Gimpel, and an English mother, Florence Duveen. His two brothers, Charles and Peter, also became art dealers. He was brought up in luxury and was educated in France, Britain, and Switzerland. He made a living as a diamond broker before establishing himself as an art critic and historian.

During World War II, Jean Gimpel served in the French Resistance, for which he was awarded the Croix de Guerre, the Resistance Medal, and the Legion of Honor. After the war, he produced a television program for the BBC called "Don't Take It for Granted," describing the pitfalls of authenticating works of art. It was during this time that he developed his profound and very practical interest in technology, especially that of the Middle Ages, which stayed with him all his working life. This interest was the basis of two classic books, The Cathedral Builders (1958) and The Medieval Machine: The Industrial Revolution of the Middle Ages (1976), and underpinned two further books, The Cult of Art: Against
Art and

Artists (1968) and The End of the Future (1995). In 1987, Gimpel became a founding vice-president of the Society for the History of Medieval Technology and Science. He was also a founder of Models for Rural Development, part of the Appropriate Technology movement.
He gave lectures at Yale University, the University of Southern California, Lehigh University, the University of Delaware, The Royal Oak Foundation, the Albany Institute History of Art, Carnegie-Mellon University, Ironbridge Gorge Museum, and St. George's Chapel, Windsor, among others. He and his wife Catherine Cara maintained a salon in London in his later years.

Miembros

Reseñas

This is a fantastic book, detailing how agriculture architecture, and building were revolutionized during the Middle Ages, and dispelling the myths of "The Dark Ages" and loss of technology for the 500 years after the fall of the Roman Empire. Anyone interested in the Middle Ages, SCA, or Renaissance Festivals should read this book.
 
Denunciada
pandr65 | 8 reseñas más. | Oct 29, 2023 |
Criminally underread writer.

Outside of its formal qualities, this book is also especially relevant today. Gimpel was obviously wrong about computers and the internet, and also failed to properly predict the fall of the USSR, but was right on the money on other issues and signs of upcoming fall (which has however not yet occured), like the decline of civic values and traditional morality, the swelling of state bureaucracy and the increase of government spending towards people that ultimately form a parasitic class, sucking away ressources while contributing not much.

His conclusions are a little too pessimistic for me however, and the ever growing presence of reactionary thought in western countries gives me a bit of hope for the future.
… (más)
 
Denunciada
Gingembre28 | Nov 25, 2022 |
Besproken door Zeijlemaker o.c., dl.1, hfdst.V, noot 17 [hier verwart hij Gimpel met Hutin] :
Gimpel deelt het standpunt van Douglas Knoop “dat de loges oorspronkelijk niets anders waren dan groepen van vaklieden, ten hoogste met daaraan verbonden een ‘confrèrie’ ter aanduiding van de beschermheilige.”
En dl.1, hfdst.VII, p.99, noot 1:
De vraag naar een ‘voorgeschiedenis’ en van de oorsprong der Vrijmetselarij in organisatorische zin “leidde de meeste onderzoekers naar de loges, die gevormd werden bij de grote bouwwerken van de middeleeuwen, kerken, kastelen, kloosters, waarvan de bouw plaats vond onder leiding van een ‘bouwmeester’ door een groep van bouwers in steen (natuursteen).”… (más)
 
Denunciada
MBRLibrary | otra reseña | Jul 25, 2021 |
Besproken door Zeijlemaker o.c., dl.1, hfdst.V, noot 17 [hier verwart hij Gimpel met Hutin] :
Gimpel deelt het standpunt van Douglas Knoop “dat de loges oorspronkelijk niets anders waren dan groepen van vaklieden, ten hoogste met daaraan verbonden een ‘confrèrie’ ter aanduiding van de beschermheilige.”
En dl.1, hfdst.VII, p.99, noot 1:
De vraag naar een ‘voorgeschiedenis’ en van de oorsprong der Vrijmetselarij in organisatorische zin “leidde de meeste onderzoekers naar de loges, die gevormd werden bij de grote bouwwerken van de middeleeuwen, kerken, kastelen, kloosters, waarvan de bouw plaats vond onder leiding van een ‘bouwmeester’ door een groep van bouwers in steen (natuursteen).”… (más)
 
Denunciada
MBRLibrary | otra reseña | Jul 25, 2021 |

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Estadísticas

Obras
6
Miembros
899
Popularidad
#28,501
Valoración
3.8
Reseñas
12
ISBNs
41
Idiomas
7
Favorito
2

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