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Cargando... Hypothermia (Reykjavik Murder Mysteries 6) (2007 original; edición 2010)por Arnaldur Indridason (Autor), Victoria Cribb (Traductor)
Información de la obraHipotermia por Arnaldur Indridason (2007)
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. My favourite job was when I worked in a polar research library where I was able to indulge my love of books about Arctic regions. Fiction or non-fiction, I find them all fascinating. This was a tantalizing investigation for what was clearly a suicide. Inspector Erlundur suspects there is something else even though the woman was intrigued by the possibility of life after death. Fortunately he has time on his hands. He’s also intermittently investigating an old missing person case. The father of the young man who went missing has visited Erlunder regularly for thirty years to find out if there has been any progress. Now elderly, he has little time left. Indridason has captured the character of Iceland and the freezing Icelandic conditions that feature in this moving story. The novel ends with Erlundur at last heading off to the region of Iceland where his brother was lost in a blinding snowstorm. I was really into this story at the beginning. I'm absolutely obsessed with Iceland and the setting drew me in quickly. I could place myself at each location and I loved meeting the cast of characters. That is, for the first third of the book. After that things began to turn. The book fell into a repetitive pattern with the interview style dialog. Not much was revealed naturally. So much was force-fed and the revelations became tedious and drawn out. The revolving door of characters became more two dimensional and before I knew it I had lost all drive to know the conclusion. The most compelling of books in the series so far. Much more focussed solely on Erlundur's investigation of an apparent suicide as well as two thirty year old cold cases. All of these are woven beautifully together along with the voice of the present day suicide. Very, very good writing and masterly story telling made this a great read. Another excellent book from this Icelandic writer. Indridason doesn't paint a very pretty picture of Reykjavic and Iceland but it is probably more realistic than the tourist brochures. Detective Erlendur of the Reykjavic police force isn't very busy when a call comes in about a woman's body being found in a cottage on a lake outside of Reykjavic. Maria lived in the capital with her husband Baldvin, a medical doctor. It fell to Erlendur to notify Baldvin of Maria's death and that it appeared she had committed suicide. A few days later a friend of Maria's came to Erlendur with some concerns about the death; she had actually found Maria's body and she was having trouble believing Maria would commit suicide. She gave Erlendur a tape of a session Maria had with a medium. Maria had been obsessed with life after death, particularly since the death of her mother two years earlier. The friend wondered if this obsession had something to do with her death. Since Erlendur didn't have much on his plate at the time he started nosing around, asking questions of Maria and Baldvin's friends and acquaintances. This part of the investigation reminded me so much of the Columbo TV series as Erlendur kept rooting out more and more information. At the same time Erlendur was also looking at two cold cases of young people who had disappeared 30 years ago. The father of a young boy who went missing without a trace is near to death and Erlendur would like to solve the disappearance before he dies. Missing children is a cause close to Erlendur's heart since his own brother disappeared in a blizzard when he was young. No trace was ever found of him but Erlendur thinks of him every day and has been searching ever since. Only Erlendur's daughter, Eva Lind, knows about Erlendur's missing brother. Erlendur left his wife when Eva and her brother Sindri were very young and only recently has Erlendur been able to have any kind of a relationship with his children. The knowledge about Erlendur's missing brother seems to have gone some way to heal the rift between them. As Erlendur accumulates more and more information about all of these cases a picture starts to emerge and the title is a clue to solving all of them. Quite captivating.
Like most Scandinavian mysteries, the Erlendur stories are gray in tone and texture although they lack the gruesome quality of the writings of Mr. Mankell or Steig Larsson. The characters with whom Erlendur works are often ordinary people, bitter, unhappy or disappointed in life, which is why the detective is so adept at analyzing what they may have done and why. There is little dramatic about his investigations, but there is a great deal of realism. Hypothermia, excellently translated by Victoria Cribb, is beautifully written, moves at a pleasing speed, and is full of interesting observations. It is more than just another crime fiction book – it is also a book sentiments; love, loss, longing. It tells sad stories without happy endings, but in a remarkable and very insightful fashion. One of the very appealing aspects of this book is how the psyche of the detective – Erlendur – which has evolved and emerged gradually in the series, is also at the same time a constituent in both the mystery and it’s “solution”. Hypothermia is, to my mind, the best novel so far in one of the best modern crime fiction series. A lovely book The Nordic crime novel is now almost a genre in its own right. Arnaldur Indridason's latest Icelandic saga embodies many of the defining features:....This is a humane, unsentimental study of grief and guilt, which is both moving and unsettling. It's also a softly gripping narrative, without ever resorting to fight scenes, car chases or torture. Nordic detectives get ever gloomier, but for Erlendur, senior detective in Reykjavik, life is brightening. ...Indridason has a remarkable understanding of grief and its persistence. But the book is not all gloom: the suspect husband has theatrical connections and there is a brilliantly funny account of a disastrous Othello set in Reykjavik in the 1940s, with Othello a colonel in the American army and Desdemona a local girl involved with GIs. The answers to Erlendur's quests, however, do not lie in modern Reykjavik. There are superbly descriptive interludes of the magical Icelandic landscape, in which many secrets are hidden. In addition, Indridason combines psychological acuteness with great stylistic economy and a pleasing pace.
Unofficially investigating a suspicious suicide, Inspector Erlendur becomes increasingly unsettled by the unsolved cases of two young people who went missing decades earlier under circumstances tied to his own past. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)839.6934Literature German and related languages Other Germanic literatures Old Norse, Old Icelandic, Icelandic, Faroese literatures Modern West Scandinavian; Modern Icelandic Modern Icelandic fiction 1900-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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I read an interview with Arnaldur Indridason where he said that he tries to only have "one murder per novel." Considering that these books as a whole are super powerful and resonant, despite their lack of on-page violence (for the most part), this says a lot about his sense of craft. I'm now at the point where I'll gladly read anything with his name on the cover.
I'm beginning to feel a sense of melancholy about this entire series because this apparently is the penultimate Erlendur installment chronologically. Still, it'll be good to learn more about his coworkers in the following two books. Just know I'll feel quite bleak when I start Strange Shores, though undoubtedly I will go into the prequels once I finish it. I didn't think I was going to find my new favorite series this year, and if I did I sure didn't think it was going to be an Icelandic crime series. Really, really glad I picked up Jar City a few short weeks ago. It's been a terrific journey, and it's not over yet. ( )