PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Remix: Making Art and Commerce Thrive in the…
Cargando...

Remix: Making Art and Commerce Thrive in the Hybrid Economy (edición 2008)

por Lawrence Lessig

MiembrosReseñasPopularidadValoración promediaMenciones
459854,758 (3.95)3
Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war-a war waged against our children and others who create and consume art. Copyright laws have ceased to perform their original, beneficial role: protecting artists' creations while allowing them to build on previous creative works. In fact, our system now criminalises those very actions. By embracing "read-write culture," which allows its users to create art as readily as they consume it, we can ensure that creators get the support-artistic, commer… (más)
Miembro:dianavery
Título:Remix: Making Art and Commerce Thrive in the Hybrid Economy
Autores:Lawrence Lessig
Información:Penguin Press HC, The (2008), Hardcover, 352 pages
Colecciones:Tu biblioteca
Valoración:
Etiquetas:non-fiction, economy, art

Información de la obra

Remix: Making Art and Commerce Thrive in the Hybrid Economy por Lawrence Lessig

Ninguno
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

» Ver también 3 menciones

Lessig, as usual, makes reasoned, well-thought out criticisms and suggestions for reform of the current copyright statutes in the United States. he is supportive of copyright, creators, and consumers. Unfortunately as long as the Citizens United decision stands, there is no hope of any of these suggestions or criticisms receiving any sort of a fair hearing on Capitol Hill. ( )
  waitingtoderail | Mar 27, 2013 |
This book is available for free (CC NC-BY) at Scribd http://www.scribd.com/doc/47089238/Remix
  gluejar | Oct 12, 2011 |
Lessig’s a good writer, and he likes remix and doesn’t like making our kids into criminals. Thus he supports (1) taking amateur (noncommercial) remix out of the coverage of copyright entirely and (2) creating some sort of digital levy allowing filesharing that’s going to happen anyway. The book goes down easily, but unless it’s your first serious exposure to the culture and economy of remix there’s very little new in it. You can download the pdf from the publisher. ( )
  rivkat | Mar 31, 2010 |
This is a very interesting discussion about the copyright current situation and possible evolution.
The first part of the book seems to have been written a couple of years ago and includes a set of example that are may be not obsolete, but seen over and over (e.g. in book such as Wikinomics).
The second part is more technical and interesting. ( )
  folini | Aug 12, 2009 |
Mostrando 1-5 de 8 (siguiente | mostrar todos)
sin reseñas | añadir una reseña
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Dedicatoria
Primeras palabras
Citas
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
" For most of the Middle Ages in Europe, the elite spoke and wrote in Latin. The masses did not. They spoke local, or vernacular, languages - what we now call French, German, and English. What was important to the elites was thus inaccessible to the masses. The most "important" texts were understood by only a few. Text is today's Latin. It is through text that we elites communicate (look at you, reading this book). For the masses, however, most information is gathered through other form of media: TV, film, music, and music video. " - page 68
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés (2)

Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war-a war waged against our children and others who create and consume art. Copyright laws have ceased to perform their original, beneficial role: protecting artists' creations while allowing them to build on previous creative works. In fact, our system now criminalises those very actions. By embracing "read-write culture," which allows its users to create art as readily as they consume it, we can ensure that creators get the support-artistic, commer

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: (3.95)
0.5
1
1.5
2 1
2.5 2
3 12
3.5 4
4 32
4.5 3
5 14

¿Eres tú?

Conviértete en un Autor de LibraryThing.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 207,057,407 libros! | Barra superior: Siempre visible