PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Cargando...

Playing to the Camera: Film Actors Discuss Their Craft

por Bert Cardullo (Editor), Harry Geduld (Editor), Ronald Gottesman (Editor), Leigh Woods (Editor)

Otros autores: Stanley Kauffmann (Introducción)

MiembrosReseñasPopularidadValoración promediaConversaciones
19Ninguno1,143,342 (3.33)Ninguno
Over the last century, film actors from Charlie Chaplin and Lillian Gish to Meryl Streep and Jeff Daniels have spoken about the art and technique of playing to the camera. This fascinating anthology of their "insiders" observations will delight film lovers and aspiring film actors everywhere. The book has been edited by four leading film and theater historians, who have brought together selections from periodicals and books (some no longer in print), had some statements or conversations translated into English for the first time, and conducted new interviews with working actors. The book is divided into four parts--"The Silent Performance," "Finding a Voice," "European Acting," and "Hollywood Acting"--each of which is introduced by a brief commentary. This chronological and topical structure allows one actor to talk or argue with another as they offer astute--and often contradictory--opinions on a broad range of theoretical concerns. Among the issues they discuss are stage versus screen performance, the spiritual, emotional, and psychological underpinnings of the actor's art, and the performer's response to technical demands and other exigencies of filmmaking. The book, which also includes an insightful general introduction, film biographies of the actor-authors, and aptly chosen movie stills, is an essential resource--one that gives us, says Stanley Kauffmann, "the mapping of a new territory in art."… (más)
Ninguno
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

Ninguna reseña
sin reseñas | añadir una reseña

» Añade otros autores

Nombre del autorRolTipo de autor¿Obra?Estado
Cardullo, BertEditorautor principaltodas las edicionesconfirmado
Geduld, HarryEditorautor principaltodas las edicionesconfirmado
Gottesman, RonaldEditorautor principaltodas las edicionesconfirmado
Woods, LeighEditorautor principaltodas las edicionesconfirmado
Kauffmann, StanleyIntroducciónautor secundariotodas las edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Dedicatoria
Primeras palabras
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés

Ninguno

Over the last century, film actors from Charlie Chaplin and Lillian Gish to Meryl Streep and Jeff Daniels have spoken about the art and technique of playing to the camera. This fascinating anthology of their "insiders" observations will delight film lovers and aspiring film actors everywhere. The book has been edited by four leading film and theater historians, who have brought together selections from periodicals and books (some no longer in print), had some statements or conversations translated into English for the first time, and conducted new interviews with working actors. The book is divided into four parts--"The Silent Performance," "Finding a Voice," "European Acting," and "Hollywood Acting"--each of which is introduced by a brief commentary. This chronological and topical structure allows one actor to talk or argue with another as they offer astute--and often contradictory--opinions on a broad range of theoretical concerns. Among the issues they discuss are stage versus screen performance, the spiritual, emotional, and psychological underpinnings of the actor's art, and the performer's response to technical demands and other exigencies of filmmaking. The book, which also includes an insightful general introduction, film biographies of the actor-authors, and aptly chosen movie stills, is an essential resource--one that gives us, says Stanley Kauffmann, "the mapping of a new territory in art."

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: (3.33)
0.5
1
1.5
2
2.5
3 2
3.5
4 1
4.5
5

¿Eres tú?

Conviértete en un Autor de LibraryThing.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 204,951,065 libros! | Barra superior: Siempre visible