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Cargando... The Glittering Prizes (edición 2007)por Frederic Raphael
Información de la obraThe Glittering Prizes por Frederic Raphael
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. I imagine that this is a book which has not aged well. The reviewers' plaudits cited on the cover suggested it would be a humorous and sensitive account of the experience of a handful of undergraduates at Cambridge in the early 1950s, and their subsequent careers. Unfortunately that has been done so much more adeptly many times since and this entirely failed to evoke any sympathy for me. I normally like to encounter at least one character with whom I feel some empathy, but any such were conspicuous by their absence! Those of us who have been to university may well remember our excited, optimistic, fresher selves staring up at the gates of our halls of residence, full of anticipation, surveying the entrance to the promised land of opportunity. Here, we believed, was our ticket to knowledge, wisdom, experience and improved life, love and job prospects. It seems that, in this respect at least, the young Adam Morris and his contemporaries were no different to those starry-eyed young things. Through him, in this semi-autobiographical novel (Morris appears to be heavily modelled on Raphael himself), Raphael follows the life, loves and fortunes of a group of Cambridge students from their time at the university in the late 50s/early 60s and beyond into later life. Although after university nothing is ever quite the same again, this is not a novel weighed down by disillusionment and despair (although, naturally, as in life, they do make an appearance). It positively sparkles with wit (particularly in the dialogue where, perhaps, the author's theatrical background shines through) and in many ways reminded me of the writing of Martin Amis, Rachel Papers era. I think, however, that in a number of aspects it may possibly surpass even that particular eminent debut. Raphael is not afraid to confront some of life's grand overarching themes head on, namely: youth, how we handle difference (particularly with anti-semitism and racism in general), politics, the arts, education, love, family life, disillusionment etc. None of these swamp the book, however, and it all flows along nicely. It is sometimes a little difficult to follow owing to the sheer proliferation of characters - remembering who is who can be tricky. However it is never of sufficient difficulty to spoil one's enjoyment of the novel. Given that this is a debut, and given also that we are all mere fallible human beings, I think we can forgive the book a minor flaw or two. Indeed, it seems to make it all the more endearing - a little like Morris/Raphael himself. Read this book before going to university, and then again before the reunion. Or just read it whenever you have the opportunity. Either way, it is an easy, enjoyable, delightful read and I am now very much interested in exploring the rest of the bibliography of this exceedingly talented, engrossing and witty writer. sin reseñas | añadir una reseña
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Adam Morris, Alan Parks, Mike Clode, Anna Cunnginham, Barbara Ransome and the others leave Cambridge University to discover varying degrees of satisfaction, success and material comfort. But over all of them lies the common memory of those heady, golden days spent in unravelling the knots of friendship, in exploratory sex and in Badinage, that none of them will ever quite forget.A compelling story, "The Glittering Prizes" reflects the changing attitudes and styles of a generaton that went to Cambridge in the fifties.The subject of a highly acclaimed television series starring Tom Conti, "The Glitter Prizes" is a witty, incisive, beautifully written evocation of an era and its children. No se han encontrado descripciones de biblioteca. |
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It is relentlessly witty but rarely comic, the characters overlap in their characteristics, and the plot is mediocre. Yet there is a general feeling in the book that strikes one as being genuine: people do often associate with others who are similar to one another (I believe this is called homophily), we can't always remember everyone's name, and sometimes events happen and no-body cares about them (in this case the reader).
Indeed, what this novel tells us most about is the author. All the characters speak in the same way; this is mainly a novel of dialogue. They all seem to be speaking as if there were an audience present, expecting them to say something intelligently funny; the author somehow projects himself onto each of his characters (almost) – quite an unwitting feat.
At points this book seems trashy, and maybe this is a function of the contrast between the human and the intellectual.
For a subtler, more aesthetic, and tragic take on the theme of life in Cambridge and beyond, try E.M. Forster's The Longest Journey. ( )