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Cargando... Crossing the Line (Paris Homicide) (edición 2014)por Frédérique Molay (Autor), Anne Trager (Traductor)
Información de la obraCrossing the Line (Paris Homicide) por Frédérique Molay
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. Note: I received a digital review copy of this book from the publisher through NetGalley. I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU. My Review: "I was murdered" isn't something a cop expects to hear from a dismembered dead person. That's exactly what starts the machinery of a French homicide investigation moving in this exciting book. Second of Molay's "Paris Homicide" thrillers, we're more or less starting with Nico Sirsky, chief investigator from the last book, as he starts his normal day. I realize a lot of readers don't like the catch-you-up parts of procedurals, but I appreciate them...it's been most of a decade since I read The 7th Woman; no way in hell could I have recalled who these names were attached to without a refresher. I get it...I really do...lots of names, lots of titles, none of then familiar. Take your time, really best to start with THE 7TH WOMAN, but no matter what I recommend that you read slowly until they all fit into place. They will! Paris, her police, the men and women who serve the unexpectedly dead as their interlocutors, all have a slot in Molay's stories. Something that Bruno Guedj, he of the "I was murdered" message hidden in his obviously, clumsily worked-on tooth, clearly expected to work as it always had. Donating his body to science...out of nowhere, blindsiding his wife and sons...was clearly calculated to get his message NOTICED and it worked. The best thing about reading these books is the same thing people who enjoy Stuart Woods's Stone Barrington books, or James Patterson's Women's Murder Club books, are getting: Minimum of fussy stuff and maximum of forward momentum. Just what you want in a thriller. A bit less like those books is the way so much of the action, like press conferences and suchlike, take place off-screen. It's clear that Auteur Molay hasn't got her eye firmly set on a movie deal. One fillip in this book that I didn't care much for was the single-page chapters from the perpetrator's point of view...I didn't feel they served The Greater Good, somehow. A great deal of the story has to do with how much Love rules our lives...Guedj, the victim, making sure his dearly and deeply loved family is cared for, and still making sure they won't be taken into dark places wondering why he died; then Nico, recovering from his nasty wounds inflicted by the killer in The 7th Woman, finally able to deal with his delight and love Caroline...his son Dimitri...all his team...Molay never forgets that the reason we read is that the characters mean something to us. I'd say that the series is a throwback to the days when 200-page thrillers were the norm. That makes the author's stakes high: must get action and character development from the off. The w-bomb dropped at 64% was an unpleasant surprise, out of keeping with the overall brisk and business-like tone. But to repeat the offense at 69%...! And then the coup de grâce at 88%, where it took me right out of a very high-stakes scene, well I ask you. Can that explain a whole star missing from the rating? You bet it can, sugarplum. The details of Russian-descended Sirsky taking an interest in his heritage, the way this reconnects him to his teen son and his parents...all in this short word count, well, it's admirable. A note here to chuckle, albeit a bit wanly, about the pop-culture easter eggs in so many names..."Marc Walberg," "Dr. Queneau," et alii. Most amusant, Mme l'Auteure. I'm also a fan of the glimpses into the operational realities of the French justice system, the roles different people play in it, and how, like the US, so much happens due to needing to respond to the media's reporting on what has occurred. Ending the story how, and where, she did made the underlying theme of Love, love, and luuuv as they intersect and intertwine so poignantly complete. I think the ultimate reveal is a good, solid ending. Had it not been for those blasted w-bombs there'd be four-plus stars on this outing in the "Paris Homicide" series. Molay has made a career in writing; she decided that her storytelling chops would sustain her, and I see that they truly have. A special note of thanks to Translator Anne Trager. The careful, not-obtrusive explanations of things that wouldn't need explaining in the home audience's edition truly does help. I'd recommend that, at some point, a map of the parts of Paris we're going to be cruising through would be very helpful. You need an exciting series, played for high stakes, and set in a lush landscape? Here it is, ready for you.... This is the second in Molay’s Nico Sirsky series is set in Paris and I have already added the third to my TBR pile. Less frenetic in pace than the The 7th Woman, it was no less compelling. More intricately (and interestingly) plotted with twists and turns galore I devoured this installment just as quickly as the first. You know a book is good when it is late and you are already tired but contemplating pushing on for another hour or two just to find out what happened and weighing whether being tired the next day is worth it. As the blurb says---the story starts out with medical students finding a message hidden in a tooth in a subject in their anatomy class. What is written in that message sets into motion a series of surprising twists that add up to a very entertaining mystery. Nico and his team run all over Paris unraveling a very complex plot as the body count mounts. I particularly enjoy the detail that Molay puts into this work. Detailed backgrounds of the various locations and a real sense of place make Paris come alive and provide fascinating bits of trivia and history. I love it when authors go the extra mile like this. My only complaint and why this book went from 5 stars down to 4 is that I didn’t like the way the story was wrapped up. I don’t know how to go into any more detail without spoiling the story so I just won’t. I also have to mention that if you are contemplating donating your body to science upon your death---you may reconsider after reading Crossing the Line. Creepy doesn’t even begin to describe it. (Fiction, Crime, Translated, Series) In this, the second in the Paris Homicide series, Paris Chief of Police Nico Sirsky is on a bizarre case. Dental students have discovered a message in the tooth of a severed head, warning of murder. The Paris setting was excellent, the suspenseful build-up was good, but the plot seemed to me to “cross the line” into the completely unbelievable. (Not the bit about the tooth; I bought that. The plot just went over the top at its climax.) 3½ stars sin reseñas | añadir una reseña
It's Christmas in Paris. Chief of Police Nico Sirsky returns to work after recovering from a gunshot wound. He's in love and rearing to go. His first day back has him overseeing a jewel heist sting and taking on an odd investigation. Dental students discovered a message in the tooth of a severed head. Is it a sick joke? Sirsky and his team of crack homicide detectives follow the clues from an apparent suicide, to an apparent accident, to an all-out murder as an intricate machination starts breaking down. Just how far can despair push a man? How clear is the line between good and evil? More suspense and mystery with the Paris Homicide team from the prizewinning author Frédérique Molay, the "French Michael Connelly." This is the second in the prize-winning Paris Homicide series. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)843.914Literature French and related languages French fiction Modern Period 20th Century 1945-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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