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Fairytales for Lost Children por Diriye…
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Fairytales for Lost Children (edición 2013)

por Diriye Osman (Autor)

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FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humbling than good writing except when the author is fiercely beautiful and ferociously generous of heart. That Diriye Osman should possess so much talent is only fair in light of his goodness. Read this book.' - MESHELL NDEGEOCELLO -The characters in these fairy tales are displaced in multiple, complicated ways. But Osman's storytelling creates a shelter for them; a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation.' - ALISON BECHDEL 'East Africa. South London. Queer. Displaced. Mentally Ill. My excitement over Osman and his writing comes, in part, out of delight at the impossibility of categorisation.' - ELLAH ALLFREY The Telegraph… (más)
Miembro:mjhunt
Título:Fairytales for Lost Children
Autores:Diriye Osman (Autor)
Información:angelica entertainment ltd (2013), 174 pages
Colecciones:Tu biblioteca, Actualmente leyendo, Por leer
Valoración:****
Etiquetas:2016, africa, anthology, short-story, mental-illness

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Fairytales for Lost Children por Diriye Osman

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This collection starts of brilliantly. the first story (4 whole paragraphs) is beautiful and deeply emotional. The next few stories are all really interesting and engaging. But by the last three they just didn't hold my attention any more.
Well worth reading though, particularly the first half. ( )
  mjhunt | Jan 22, 2021 |
His debut collection of short stories mirrors his own migration in its exploration of exiled Somalis. At a time when homosexuality is still illegal in most of Africa, and barely features in contemporary African fiction, this book is a welcome surprise.
 
Fairytales for Lost Children is a must-read for anyone, displaced or not, who has suffered the blessing and curse of coming out as queer in a world not ready to receive it. Texturally beautiful and tonally gorgeous, Osman has created a dark world of language and culture that every lost child can find themselves in.
 
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FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humbling than good writing except when the author is fiercely beautiful and ferociously generous of heart. That Diriye Osman should possess so much talent is only fair in light of his goodness. Read this book.' - MESHELL NDEGEOCELLO -The characters in these fairy tales are displaced in multiple, complicated ways. But Osman's storytelling creates a shelter for them; a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation.' - ALISON BECHDEL 'East Africa. South London. Queer. Displaced. Mentally Ill. My excitement over Osman and his writing comes, in part, out of delight at the impossibility of categorisation.' - ELLAH ALLFREY The Telegraph

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