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Cargando... Pretty Good for a Girl: Women in Bluegrass (Music in American Life) (edición 2013)por Murphy Hicks Henry
Información de la obraPretty Good for a Girl: Women in Bluegrass (Music in American Life) por Murphy Hicks Henry
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The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)781.642092The arts Music General principles and musical forms Traditions of music Western popular music {equally instrumental and vocal} Country and Bluegrass Country and Bluegrass by placeClasificación de la Biblioteca del CongresoValoraciónPromedio:
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Pretty Good for a Girl is organized as roughly 40 profiles, usually of individuals but occasionally of bands. These are arranged more or less chronologically, with an occasional overview chapter to set things into context. This arrangement works surprisingly well, and the result is a very good history of bluegrass music as played by woman performers. There's some room for quibbling about the selection of musicians--I'd not have included the Dixie Chicks, for instance, and might have replaced them with, say, Emma Smith--but these are editorial choices, and don't really damage the overall effort. This is an excellent book, and highly recommended.
This review has also been published on a dabbler's journal. ( )