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Cargando... On Poetry (2012 original; edición 2016)por Glyn Maxwell (Autor)
Información de la obraOn Poetry por Glyn Maxwell (2012)
![]() Actualmente no hay Conversaciones sobre este libro. Convincing argument for form in poetry as a way of forcing writers to work harder and produce something memorable and based on human characteristics such as breath and gait. Using extracts from poems to illustrate points adds to the pleasure and the imaginary creative writing class contributes to making this a fascinating read.
"...suffice to say that Oberon Books are to be congratulated on putting this out, because it really is a tremendously good book, and should be read by anyone who writes poetry and anyone who's interested in how and why poetry is written." Pertenece a las series editoriales
"This is a book for anyone," Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, "With rhyme what matters is the distance between rhymes" or "the line-break is punctuation," he compresses into simple, memorable phrases a great deal of practical wisdom.
In seven chapters... the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture... To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets."-- No se han encontrado descripciones de biblioteca. |
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![]() GénerosSistema Decimal Melvil (DDC)808.1Literature By Topic Rhetoric and anthologies Rhetoric of poetryClasificación de la Biblioteca del CongresoValoraciónPromedio:![]()
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Then I hated it by page 13, when he puts poets on a pedestal above pop musicians. "Songwriters stir up a living tradition, poets make flowers grow in the air." But I continued on, and by the end of the book I realized I had come to it with the expectation that it was a poetry primer, when it was in fact one man's experience and opinions about poetry. Once I understood that, and shed my preconceptions, I settled in and listened.
Overall not exactly my bag, but good enough and interesting enough that I finished it. If you like reading a poet waxing poetic about poetry, then you will probably like this book. (