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Edward Gauvin provides a taster of his upcoming collection of French author Georges-Olivier Ch?teaureynaud's lovely, weird stories in "A City of Museums" and Chinese author Haihong Zhao translated her own award winning story, "Exuviation." Apart from that, this issue contains no manganates, managements, or manatees. Maybe next time.… (más)
As always, the good outweighs the bad (and there’s nothing I would truly call bad in this issue) in LCRW, and honestly, if that happens with every issue? That’s a subscription to hold onto. Yes, I wish it came out more often, but what can you do?
Well, what you can do is buy copies of the paper edition on LCRW’s website or you can pick up an electronic copy here.
There is enough variety to make even the most suspicious of people take to this publication, as the stories are bite size and easily read while on a snack break and leave you with a feeling that you have read something interesting enough to tell your friends about. Apart from the usual obligatory adverts for other magazines and fanzines, it is a decent enough read and is semi-pro enough to catch the eye of would-be readers.
Edward Gauvin provides a taster of his upcoming collection of French author Georges-Olivier Ch?teaureynaud's lovely, weird stories in "A City of Museums" and Chinese author Haihong Zhao translated her own award winning story, "Exuviation." Apart from that, this issue contains no manganates, managements, or manatees. Maybe next time.
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Well, what you can do is buy copies of the paper edition on LCRW’s website or you can pick up an electronic copy here.