Robert H. Brinkmeyer, Jr.

Americano/a (1) and her readers. He focuses on several of her stories as well as her two novels (1) Brinkmeyer offers an explanation for the great depth and power of O'Connor's work (1) Brinkmeyer shows how dialogic encounters are at work in O'Connor's interaction with her largely fundamentalist narrators (1) Brinkmeyer writes (1) Crítica (1) Crítica literaria (2) employing voices that challenged conceptions of both self and faith (1) escritores (1) Flannery O'Connor - interpretation and criticism (1) Flannery O'Connor believed that fiction must try to achieve something on the order of what St. Gregory wrote about Scripture: every time it presents a fact (1) for Brinkmeyer presents a critical method that has value for exploring other writers (1) free O'Connor's vision from the limits of its perspective (1) it must also disclose a mystery. O'Connor's artistic vision was located squarely in her Catholic faith (1) JSTOR EBA (1) Literatura (2) O'Connor (2) opening it to growth and understanding. After a thorough discussion of the ways in which O'Connor's Catholic and southern heritage helped to form her artistic vision (1) particularly other modern Catholic writers. (1) paying particular attention to the ways her art and audience bear upon her regnant Catholic vision. This pressure and resistance (1) Por leer (3) Referencia (1) rm6-bcb-shelf5 (1) Robert Brinkmeyer presents an innovative study of O'Connor's fiction by exploring the dialogic forces at work in her writing. Drawing on the insights of literary theorist Mikhail Bakhtin (1) she explored a wider world (1) Siglo XX (1) Sur (1) the stories they tell (1) therefore (1) this study offers an original approach to understanding O'Connor. But the significance of the book extends far beyond O'Connor scholarship (1) ultimately enlarging and deepening both. In The Art and Vision of Flannery O'Connor (1) Wise Blood and The Violent Bear It Away. As the first analysis of the dialogical dynamics of O'Connor's art and vision (1) yet she realized that to view life only through the eyes of the Church was to ignore a large part of existence. In her fiction (1)