Imagen del autor

François Truffaut (1932–1984)

Autor de El cine según Hitchcock

68+ Obras 3,615 Miembros 59 Reseñas 5 Preferidas

Sobre El Autor

Francois Truffaut was one of the principal figures in the French New Wave movement of the 1950s and early 1960s. As a young critic for the avant-garde film magazine Les Cahiers du Cinema, he formulated the politique des auteurs---the idea that directors with a personal vision are the true authors mostrar más of films, rather than conventional screenwriters or script-bound directors. An admirer of American films, Truffaut was much influenced by Alfred Hitchcock (see Vol. 1). In several of his own films, Truffaut, who had an unhappy childhood and youth, portrayed a fictionalized version of himself, a character called Antoine Doinel, to create personal cinema. The first of these films, which was also his first feature film, was The Four Hundred Blows (1959). It is still one of the most popular of his works. Other notable Truffaut films are Shoot the Piano Player (1960), the lyrical menage a trois Jules and Jim (1961), the Academy Award-winning Day for Night (1973), The Last Metro (1980), and The Woman Next Door (1981). (Bowker Author Biography) mostrar menos

Series

Obras de François Truffaut

El cine según Hitchcock (1985) 1,535 copias
The Films in My Life (1978) 272 copias
Fahrenheit 451 [Film] (1966) — Director; Screenwriter — 181 copias
Breathless [1960 film] (1960) — Screenwriter — 177 copias
Jules and Jim [1962 film] (1962) — Director; Screenwriter; Producer — 139 copias
Correspondence, 1945-1984 (1988) 88 copias
Tirad sobre el pianista (1960) — Director; Director — 70 copias
Jules and Jim [screenplay] (1968) 61 copias
El Último metro (1985) — Director/Screenwriter — 59 copias
Day for Night [1973 film] (1973) 52 copias
Truffaut by Truffaut (1985) 45 copias
Love on the Run [1979 film] (1979) — Director/Screenwriter — 40 copias
The Wild Child [1970 film] (1970) 38 copias
Besos robados (1968) 34 copias
La piel suave (1979) 34 copias
Letters (1989) 32 copias
The Story of Adele H [1975 film] (1975) — Director/Screenwriter — 32 copias
Small Change: A Film Novel (1976) 31 copias
The Man Who Loved Women [1977 film] (1977) — Director — 30 copias
Las dos inglesas y el amor (1999) — Director — 27 copias
Mississippi Mermaid [1969 film] (2001) — Director — 26 copias
Vivamente el domingo (1999) — Director — 25 copias
Bed & Board [1970 film] (1999) — Director/Screenwriter — 25 copias
Small Change [1976 film] (1976) 21 copias
Day for Night [script] (1975) 19 copias
The 400 Blows [screenplay] (1969) 19 copias
Antoine and Colette [1962 film] (1962) — Director — 15 copias
The Green Room (1978) 12 copias
Criterion 101 — Director — 9 copias
A Gorgeous Girl Like Me [1972 film] (1972) — Director — 8 copias
The Wild Child [script] (1973) 4 copias
The Last Metro [script] (2001) 3 copias
The Bride Wore Black [1968 film] (1968) — Director — 2 copias
LECONS DE CINEMA (TP) (2021) 1 copia

Obras relacionadas

Fahrenheit 451 (Ave Fenix) (1953) — Epílogo, algunas ediciones54,077 copias
Close Encounters of the Third Kind [Blu-ray] (1977) — Actor — 548 copias
Jules y Jim (1953) — Introducción, algunas ediciones485 copias
Film: A Montage of Theories (1966) — Contribuidor — 82 copias
The Little Thief [1988 film] (1988) — Story — 13 copias
Paras elokuvakirja (1995) — Contribuidor — 5 copias
La Nouvelle Vague [book] (2004) 2 copias
Mata Hari, agent H21 [1964 film] — Screenplay — 1 copia

Etiquetado

Conocimiento común

Nombre canónico
Truffaut, François
Fecha de nacimiento
1932-02-06
Fecha de fallecimiento
1984-10-21
Lugar de sepultura
Cimetière de Montmartre, Paris, France
Género
male
Nacionalidad
France
Lugar de nacimiento
Paris, France
Lugar de fallecimiento
Neuilly-sur-Seine, Hauts-de-Seine, France
Lugares de residencia
Paris, France
Neuilly-sur-Seine, Hauts-de-Seine, France
Educación
Self-taught
Ocupaciones
film critic
film director
screenwriter
film producer
actor
Relaciones
Bazin, Andre (mentor)
Moreau, Jeanne (actress)
Organizaciones
Cahiers du cinema
Biografía breve
François Truffaut was one of the most influential figures in film history. He was largely self-taught, but became one of France's leading film critics during the 1950s. His promotion of the "auteur theory" (politique des auteurs) eventually revolutionized film criticism and led to a re-evaluation of the work of Abel Gance, Max Ophuls, Roberto Rossellini, Alfred Hitchcock, Howard Hawks, Nicholas Ray, and others. He and his colleagues at the pioneering French film magazine Cahiers du cinéma developed a more personal, freewheeling vision of filmmaking that achieved world fame as the French New Wave (Nouvelle vague). Truffaut was born on to an unmarried mother, a circumstance that would shape much of his life and work. He was taken in by his maternal grandparents. In 1933, his mother married Roland Truffaut, an architectural draftsman, who adopted young François, but he didn't live with them until 1939. Many details from his childhood, freely reworked, can be found in Truffaut's semi-autobiographical debut film, Les 400 Coups (The 400 Blows, 1960). As a teenager, he joined various film clubs and societies, where he earned a reputation for his outspoken opinions on films and directors. He was befriended by older intellectuals and cultural figures such as André Bazin, Louise de Vilmorin, and Jean Cocteau. In 1950, Truffaut got a job as a society reporter for Elle magazine and quickly established a reputation as a film critic. Through his work at Cahiers du cinéma and his frequent attendance of screenings at the Cinématheque Française headed by Henri Langlois, Truffaut became friends with other young critics who eventually became leading filmmakers of the French New Wave. During the late 1950s and early 1960s, the peak of the New Wave, Truffaut created and directed a brilliant series of films. In the 1970s, he made other notable films, especially his homage to moviemaking Day for Night (1973), which won the Academy Award for Best Foreign Film. The Last Metro (1980), a portrayal of complicated moral choices during the Occupation, received 10 Césars, including Best Picture. In 1981, he published the book Les Films de ma vie (Films in my life); his correspondance was translated and published posthumously in 1988. In 1983, Truffaut was diagnosed with a brain tumor and died at age 52.

Miembros

Reseñas

En 1959 François Truffaut (1932 -1984) estrenó "Les Quatre Cents Coups", una de las películas que lanzaron el movimiento de la "Nouvelle vague". Años después Luis Eduardo Aute homenajeó la película en su canción "Cine, cine".

Recuerdo bien
aquellos «cuatrocientos golpes» de Truffaut
y el travelling con el pequeño desertor,
Antoine Doinel,
playa a través,
buscando un mar que parecía más un paredón.
Y el happy-end
que la censura travestida en voz en off
sobrepusiera al pesimismo del autor,
nos hizo ver
que un mundo cruel
se salva con una homilía fuera del guión.
… (más)
1 vota
Denunciada
longway | 4 reseñas más. | May 30, 2010 |

Listas

Premios

También Puede Gustarte

Autores relacionados

Suzanne Schiffman Screenwriter, Writer
Jean-Louis Richard Screenwriter, Writer
Marcel Moussy Screenwriter
Jean Gruault Screenwriter
Cornell Woolrich Novel, Original novel
David Goodis Screenwriter
Michel Fermaud Screenwriter
Claude De Givray Screenwriter
Frieda Grafe Translator
Enno Patalas Translator
Alfred Hitchcock Contributor
Raoul Coutard Cinematographer
Nestor Almendros Cinematographer
Nicholas Roeg Director of Photography
Ray Bradbury Original novel
Thom Noble Film Editor
Martial Solal Composer
Henri Decaë Cinematographer
Hélène Jeanbrau Photographer
Henri-Pierre Roché Original book
Denys Clerval Cinematography
Torsten Manns Translator
Leonard Mayhew Translator
David Downton Cover artist
Nicholas Fry Translator
Anselm Hollo Translator

Estadísticas

Obras
68
También por
11
Miembros
3,615
Popularidad
#7,004
Valoración
4.0
Reseñas
59
ISBNs
245
Idiomas
14
Favorito
5

Tablas y Gráficos