Statens Museum for Kunst
Autor de Hammershøi: The Poetry of Silence [exhibition] Royal Academy of Arts, 2008
Sobre El Autor
Créditos de la imagen: SMK, (State Museum of Art) Copenhagen
Obras de Statens Museum for Kunst
The Golden Age of Danish Art: Drawings from the Royal Museum of Fine Arts, Copenhagen (1995) 12 copias
Vilhelm Hammershoi: Masterworks by Vilhelm Hammershoi from SMK - The National Gallery of Denmark (2015) 9 copias
Drawn Toward the Avant-Garde: Nineteenth- And Twentieth-Century French Drawings from the Royal Museum of Fine Arts,… (2002) 9 copias
Genoese drawings : Italian drawings in the Department of Prints and Drawings, Statens Museum for Kunst (2004) 3 copias
Central Italian drawings : schools of Florence, Siena, the Marches and Umbria : Italian drawings in the Department of… (2001) 2 copias
Verden som landskab 1 copia
Kunstskatte fra Wien 1 copia
Blaendvaerker: Gijsbrechts: Kongernes Illusionsmeister: Illusions: Royal Master of Deception (1999) 1 copia
Flemish Paintings 1600-1800 1 copia
Dansk skulptur 1850 - 2000 1 copia
Rembrandt? 1 copia
Fransk guldalder: Poussin og Claude og maleriet i det 17. århundredes Frankrig : Statens Museum for Kunst,… (1992) 1 copia
Etiquetado
Conocimiento común
Miembros
Reseñas
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 39
- Miembros
- 255
- Popularidad
- #89,877
- Valoración
- 4.1
- Reseñas
- 1
- ISBNs
- 50
- Idiomas
- 5
The overwhelming impression given by these monochromatic pictures is of northern gloom, isolation and depression. His characteristic interiors, mostly painted in his own apartment in Christianhavn, show almost empty rooms, doors variously open and closed with pale light filtering through uncurtained windows. The dark-clad female figures are mostly painted from the rear, not from any lack of portraiture skill, but rather to emphasise their anonymity. In the same way as the rooms are largely devoid of evidence of human existence his grey landscapes, even in cities, lack any human figures.
Hammershoi's technique is skilful, if unvarying, but his subject matter and the limited palette - influenced by Whistler - left me longing for Provencal light. These pictures could be seen as representations of seasonal affective disorder and one wonders what he painted in the long northern summer days.… (más)