Joachim Sartorius

The DAAD Artists-in-Berlin Program (German: Berliner Künstlerprogramm des DAAD) is a residential program for artists of all countries and ages run by the German Academic Exchange Service (German: ‘Deutscher Akademischer Austauschdienst', DAAD) in Berlin. Originally initiated by the Ford Foundation in 1963, the program has been run by the DAAD – with the assistance of the German Federal Foreign Office and the Senate of Berlin – since 1965.

The Artists-in-Berlin Program sees itself as a platform for artistic and cultural exchange throughout and beyond Europe. Every year, it invites applications from around the world for approximately 20 fellowships, usually funding a one-year stay in Berlin. These fellowships are aimed at extraordinary and internationally established artists from abroad. The Artists-in-Berlin Program is designed to offer its guests space for their creative work, promote the diversity and variety of artistic viewpoints, and strengthen the freedom of the arts and the written and spoken word. Fellowship holders therefore have every freedom to develop their approach, to work on their art, and to interact with fellow artists.

Target group

Internationally established and outstanding artists from abroad who would like to come to Berlin in order to work on their art and interact with fellow artists. Age is irrelevant.

History of the Artists-in-Berlin Program
In 1963, a year and a half after the construction of the Berlin Wall, the Ford Foundation created a three-year program aimed at expanding and strengthening the cultural and educational resources of West Berlin. The Foundation made an initial donation of three million US dollars and placed James B. Conant, former president of Harvard University and former United States Ambassador to Germany, in charge. 300,000 and 350,000 dollars respectively were allocated to the creation of two new courses at the Free University of Berlin – one in American Studies, and another in Comparative Music Studies. 590,000 dollars were used to make it possible for ‘artists, writers, academics, scientists and composers’ to spend ‘an extended period of time living and working in Berlin.’ In 1965 the DAAD took over the running of the program, and renamed it the Artists-in-Berlin Program. It now gained additional support from the German Federal Foreign Office and the Senate of Berlin. Hansgerd Schulte, president of the DAAD from 1972 to 1987, called it ‘the jewel in the crown’ – a unique entity amongst the many programs run by the DAAD. In 2013, the program is preparing to celebrate its 50th anniversary. This will be marked by a two-day celebration hosted at the Berlin Academy of Art, featuring performances from Antjie Krog, Sjòn, Jennifer Walshe and Phil Collins, among others. A 50th anniversary countdown blog has also been created, featuring contributions from various guests about their time in Berlin.

Guests
In essence, the Artists-in-Berlin Program consists of a grant, allowing an artist to spend one year in Berlin. Each year, following the recommendations of a jury, the program awards around 20 grants in the fields of the visual arts, film, literature and music. The program also assists its guests with displaying or performing the work they have produced in Berlin –for visual artists, for instance, individual exhibitions are organized in the program’s gallery, the daadgalerie, often accompanied by a publication. Since 1964, around 1000 artists have come to Berlin as guests of the program.[4] Between 1963 and 2013, around 394 visual artists have taken part in the program. They include Jorge Castillo (1969), Daniel Spoerri (1973), Joel Fisher (1973), Gunter Christmann (1974), Richard Hamilton (1974), Duane Hanson (1974), Christian Boltanski (1975), Lawrence Weiner (1975), On Kawara (1976), Jannis Kounellis (1980), Nam June Paik (1983), Erwin Wurm (1987), Ilja Kabakow (1989), Nan Goldin (1991), Marina Abramović (1992), Rachel Whiteread (1992), Damien Hirst (1993), Andrea Zittel (1995), Pipilotti Rist (1996), Douglas Gordon (1997), Allan Sekula (1997), Rineke Dijkstra (1998), Steve McQueen (1999), Mark Wallinger (2001), Mona Hatoum (2003), Helen Mirra (2005), Shahzia Sikander (2007), Tim Lee (2009), Brandt Junceau (2010), and AA Bronson (2013). Due to the extremely high demand for grants in this field, the program no longer takes on applications from individual artists – they must instead be sought out and suggested by a committee. In all other fields, potential guests are welcome to apply on their own initiative.

The program has also hosted 334 writers. They include the aforementioned Ingeborg Bachmann (1963), W. H. Auden (1964), Peter Handke (1968), Ernst Jandl (1970), George Tabori (1971), Lars Gustafsson (1972), Friederike Mayröcker (1973), Stanislaw Lem (1977), Gyorgy Konrad (1977), Margaret Atwood (1984), Gao Xingjian (1985), Carlos Fuentes (1988) Susan Sontag (1989), Cees Nooteboom (1989), Antonio Lobo Antunes (1989), [[Michael RosenzweigHarold Brodkey (1992), Wladimir Sorokin (1992), Imre Kertész (1993), Ryszard Kapuscinski (1994), Richard Ford (1997), Jeffery Eugenides (1999), Laszlo Vegel (2006), Svetlana Alexievich (2011), Liao Yiwu (2012), Erik Lindner (2012), and Lance Olsen (2015). Around 282 composers have received a program grant for music. They include Iannis Xenakis (1963), Igor Stravinsky (1964), Isang Yun (1964), Krzysztof Penderecki (1968), Gyorgy Ligeti (1969), Morton Feldman (1971), John Cage (1972), Arvo Pärt (1981), Luigi Nono (1986), Michael Rosenzweig (1990), [La Monte Young]] (1992), Peter Machajdík (1992), Roberto Paci Dalò (1993), Nicolas Collins (1995), Olga Neuwirth (1996) and Giulio Castagnoli (1998). 105 filmmakers, such as Yvonne Rainer (1976), Istvan Szabo (1977), Andrei Tarkowski (1985), Jim Jarmusch (1987), Alina Rudnizkaia (2011), Sebastián Lelio (2012) and Xiaolu Guo (2012) have also participated in the program. The first grant for dance and performance was awarded in 1989, and the program has since welcomed 13 such artists, including Wendy Perron (1992).[5]

The daadgalerie
From the very beginning, the Artists-in-Berlin Program was intended to provide more than just funding and accommodation. Its mission was to connect isolated West Berlin with a wider cultural and creative world. As such, the program coordinators invited guest artists to city events, introduced them to influential figures in the German cultural scene, and ensured that they were able to publicly perform and display their work.[6] To give these activities a concrete physical focus, the daadgalerie was created in 1978, providing the program’s artists with a set platform for their creative activities. To begin with, it was based in silent film star Henny Porten’s former villa in the Kurfürstenstraße, in what was then West Berlin. However, in 2005 it was moved to new premises in the Zimmerstraße, close to Checkpoint Charlie in the centre of Berlin. It continues to host a wide range of events, including readings, concerts, film showings and performances.… (más)

http://www.mytwostotinki.com/?p=473

"Prinkipo is an island of peace and forgetfulness. The life of the world arrives here after great delays...It's a good place to work with the pen, especially in autumn and winter, when the islands are almost completely deserted and the woodpeckers appear in the garden. There's no theatre here; there's not even a cinema. Cars are forbidden. Are there many such places in the world? We have no telephone in our house. The cries of the donkeys calm the nerves. One cannot for one moment forget that Prinkipo is an island, because the sea lies under every window and there is no point on the island without a sea view. We catch fish a mere ten metres distance from the edge of the quay; at fifty metres, we catch lobster. The sea can be as calm as a lake for weeks at a time."

Prinkipo is now called Büyükada and a popular destination for mainly Turkish weekend tourists who want to flee from the crowded city of Istanbul for a day or two. Cars are still forbidden, and the main means of transport are the bicycle or the horse carriages called peyton you can hire here for a tour around the island. But the atmosphere of peace and forgetfulness that Leon Trotsky refers to in his essay Farewell to Prinkipo, from which the above quote is taken, is still existing on Büyükada and the other smaller Princes' Islands. (The name derives from the fact that many princes were exiled here in the time of Byzantium). Trotsky wrote his autobiography and the biggest part of his History of the Russian Revolution on the island. The house in which he lived with his wife, his son, two bodyguards and five Turkish policemen is in a quiet ruinous state, but still standing. Trotsky left the place in 1933 and moved finally to Mexico, where he was murdered by a group of NKWD henchmen (among them Pablo Neruda and the painter David Alfaro Siqueiros).

The glorious times of the Princes Islands were the second half of the 19th and the first half of the 20th century. Greek, Armenian, Jewish businessmen discovered these islands as a perfect summer retreat, established a ferry boat line and built beautiful summer houses and a few hotels. Several Greek monasteries, churches and abandoned fortresses add to the charm of these islands that offer incredible scenic views to the European and Asian coast. Istanbul seems so far away, but it is just a short journey by ferryboat.

A wonderful small book The Princes' Islands, written by Joachim Sartorius, a German poet, translator and travel writer, can be the perfect companion when you visit these islands during your next trip to Istanbul. Sartorius, who grew up in Tunis and served as a diplomat in the US, Turkey and Cyprus before he became the director of the Goethe Institute, writes a stylistically elegant prose. He takes the reader by the hand and shares his knowledge and feelings, reports the history, explores all interesting places and evokes in the reader the atmosphere of these serene islands. He makes friends with locals who invite him to their homes or to the restaurant, he is rowing to smaller islands with friends, and - we can be thankful for that - he feels inspired by the islands. No wonder that many writers like Orhan Veli Kanik, Sait Faik, or Orhan Pamuk lived or live on one of the islands or had or have at least a summer house which they use(d) as a writers' studio.

During most of the year, there are ferries leaving from Kabatas ferry terminal almost every hour. The trip takes one hour and a half, with short stops on the Asian side and three of the bigger islands before reaching the final destination Büyükada. Don't miss these islands. You won't regret it.… (más)

http://www.mytwostotinki.com/?p=473

"Prinkipo is an island of peace and forgetfulness. The life of the world arrives here after great delays...It's a good place to work with the pen, especially in autumn and winter, when the islands are almost completely deserted and the woodpeckers appear in the garden. There's no theatre here; there's not even a cinema. Cars are forbidden. Are there many such places in the world? We have no telephone in our house. The cries of the donkeys calm the nerves. One cannot for one moment forget that Prinkipo is an island, because the sea lies under every window and there is no point on the island without a sea view. We catch fish a mere ten metres distance from the edge of the quay; at fifty metres, we catch lobster. The sea can be as calm as a lake for weeks at a time."

Prinkipo is now called Büyükada and a popular destination for mainly Turkish weekend tourists who want to flee from the crowded city of Istanbul for a day or two. Cars are still forbidden, and the main means of transport are the bicycle or the horse carriages called peyton you can hire here for a tour around the island. But the atmosphere of peace and forgetfulness that Leon Trotsky refers to in his essay Farewell to Prinkipo, from which the above quote is taken, is still existing on Büyükada and the other smaller Princes' Islands. (The name derives from the fact that many princes were exiled here in the time of Byzantium). Trotsky wrote his autobiography and the biggest part of his History of the Russian Revolution on the island. The house in which he lived with his wife, his son, two bodyguards and five Turkish policemen is in a quiet ruinous state, but still standing. Trotsky left the place in 1933 and moved finally to Mexico, where he was murdered by a group of NKWD henchmen (among them Pablo Neruda and the painter David Alfaro Siqueiros).

The glorious times of the Princes Islands were the second half of the 19th and the first half of the 20th century. Greek, Armenian, Jewish businessmen discovered these islands as a perfect summer retreat, established a ferry boat line and built beautiful summer houses and a few hotels. Several Greek monasteries, churches and abandoned fortresses add to the charm of these islands that offer incredible scenic views to the European and Asian coast. Istanbul seems so far away, but it is just a short journey by ferryboat.

A wonderful small book The Princes' Islands, written by Joachim Sartorius, a German poet, translator and travel writer, can be the perfect companion when you visit these islands during your next trip to Istanbul. Sartorius, who grew up in Tunis and served as a diplomat in the US, Turkey and Cyprus before he became the director of the Goethe Institute, writes a stylistically elegant prose. He takes the reader by the hand and shares his knowledge and feelings, reports the history, explores all interesting places and evokes in the reader the atmosphere of these serene islands. He makes friends with locals who invite him to their homes or to the restaurant, he is rowing to smaller islands with friends, and - we can be thankful for that - he feels inspired by the islands. No wonder that many writers like Orhan Veli Kanik, Sait Faik, or Orhan Pamuk lived or live on one of the islands or had or have at least a summer house which they use(d) as a writers' studio.

During most of the year, there are ferries leaving from Kabatas ferry terminal almost every hour. The trip takes one hour and a half, with short stops on the Asian side and three of the bigger islands before reaching the final destination Büyükada. Don't miss these islands. You won't regret it.… (más)