Renée (1929–2023)
Autor de The Skeleton Woman
Renée es Renee (2). Para otros autores llamados Renee, ver la página de desambiguación.
Obras de Renée
Obras relacionadas
Out here : an anthology of Takatāpui and LGBTQIA writers from Aotearoa (2022) — Contribuidor — 9 copias
Etiquetado
Conocimiento común
- Nombre canónico
- Renée
- Otros nombres
- Taylor, Renée Gertrude
- Fecha de nacimiento
- 1929
- Fecha de fallecimiento
- 2023-12-11
- Género
- female
- Nacionalidad
- New Zealand
- Lugar de nacimiento
- Napier, New Zealand
- Lugares de residencia
- Otaki, New Zealand
- Educación
- University of Auckland
Greenmeadows School - Ocupaciones
- playwright
- Premios y honores
- Robert Burns Fellowship (1989)
Waikato University Writers' Residency (1995)
Randell Cottage Residency (2005)
Officer of the New Zealand Order of Merit (2006)
Miembros
Reseñas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 16
- También por
- 2
- Miembros
- 85
- Popularidad
- #214,931
- Valoración
- 4.3
- Reseñas
- 2
- ISBNs
- 31
Tagged by the author as "cosy noir", it comes as no surprise that Renee would have set her first crime novel partially in the world of theatre, given her experience of that environment, and the rest of the premise is strikingly done. THE WILD CARD blends that theatrical background into a story about the abuse that children suffered in State-run homes for many decades in New Zealand. Beautifully written, with a light, almost visual touch, this exploration is all the more telling.
There is a big cast of character introduced here so you'll need to concentrate as Ruby Palmer, now in her thirties, has decided that the time has come to find out what happened to her best friend Betty at the home they were living in as young children. Abandoned as a baby at the back door of the Porohiwi Home for Children, she was seven before Betty came into her life. Betty was the only person that stood up for Ruby, the only person that showed her decency and compassion, and then she drowned. The only lead Ruby has is a notebook filled with symbols in playing card that she must decipher to learn the truth. Along the way Ruby wants to find out her own personal history - who she is, and hopefully even why she was left.
At the same time she's finally got a break in her acting career having been cast as Lady Bracknell in The Importance of Being Earnest. Unfortunately her quest for the truth leaves her threatened, assaulted, having to rely on the support of friends, and struggling with the demands of the part she's so desperate to keep.
The characterisations drawn by Renee in this book are just wonderful, and the writing style makes it engaging and enjoyable, whilst never losing sight of the quest that Ruby is on. The theatre setting is depicted with considerable authority, and affection, with an absolutely outstanding ending as a bonus. All in all THE WILD CARD is a wonderful book with so much going for it.
As a bonus I've had the chance to do a bit of reading up on Renee since her entry in the Ngaio Marsh awards and she is one hell of a force of nature by the sounds of it. You can get a real sense of the woman behind the writing with her Lockdown Letters Series here: https://thespinoff.co.nz/author/renee/ There's even an article there about the writing of a Locked Room crime novel. She is reportedly working on her own second crime novel and I for one am standing by.
https://www.austcrimefiction.org/review/wild-card… (más)