Peggy Orenstein
Autor de Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture
Sobre El Autor
Peggy Orenstein is the New York Times bestselling author of Don't Call Me Princess, Girls Sex, Cinderella Ate My Daughter, Waiting for Daisy, Flux, and Schoolgirls. A contributing writer for the New York Times Magazine and Afar, she has also been published in New York. The Atlantic, The New Yorker, mostrar más and other publications. She lives in Northern California with her husband and daughter. mostrar menos
Obras de Peggy Orenstein
Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture (2011) 875 copias
Boys & Sex: Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity (2020) 217 copias
Waiting for Daisy: A Tale of Two Continents, Three Religions, Five Infertility Doctors, an Oscar, an Atomic Bomb, a Rom (2007) 167 copias
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 1961-11-22
- Género
- female
- Nacionalidad
- USA
- Lugar de nacimiento
- Minneapolis, Minnesota, USA
- Lugares de residencia
- San Francisco Bay Area, California, USA
- Educación
- Oberlin College
- Ocupaciones
- journalist
writer
speaker
editor - Relaciones
- Okazaki, Steven (husband)
- Organizaciones
- Esquire
Mother Jones
The New York Times Magazine - Agente
- Suzanne Gluck
- Biografía breve
- Peggy Orenstein is a contributing writer to The New York Times Magazine. Her work has also appeared in the Los Angeles Times, USA Today, Vogue, Elle, Parenting, O: The Oprah Magazine, More, Discover, Salon and The New Yorker, and she contributes commentaries to NPR's All Things Considered. She lives in the San Francisco Bay area with her husband and their daughter, Daisy. [from Cinderella Ate My Daughter (2011)]
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Estadísticas
- Obras
- 10
- Miembros
- 2,591
- Popularidad
- #9,917
- Valoración
- 3.8
- Reseñas
- 92
- ISBNs
- 64
- Idiomas
- 3
There were parts that I didn't like as much, and they mostly revolved around the way the author disparages herself frequently when talking about her efforts to shear, spin, dye, etc. It bugged me that she seemed to linger on how bad a job she'd done at some things that she learned specifically for this book. As an example: for the sweater that this book revolves around she uses the fleece she sheared off a sheep on her FIRST DAY OF DOING IT EVER. Of course it's not going to be a perfect (or maybe even particularly "good") job! You can't expect to learn skills that fast. And that kind of attitude comes up in this book a lot, starting with the title: "... Making the World's Ugliest Sweater."
Also, I will admit to being disappointed that there were no photos in this book, not even of the completed—and supposedly "ugliest"—sweater.… (más)