Todd Merer
Autor de The Extraditionist
Series
Obras de Todd Merer
Etiquetado
Conocimiento común
Todavía no hay datos sobre este autor en el Conocimiento Común. Puedes ayudar.
Miembros
Reseñas
Estadísticas
- Obras
- 2
- Miembros
- 48
- Popularidad
- #325,720
- Valoración
- 2.4
- Reseñas
- 2
- ISBNs
- 8
When three potentially lucrative clients send out feelers—“a trifecta of new clients suddenly emerg(ing) from the free-fire zone of the War against Drugs”—Bluestone whips into action.
Bluestone knows next-to-nothing about any of these potential clients, except that they are all dangerous men supported by large trigger-happy criminal gangs. You may have trouble keeping all the players straight. I did. Nevertheless, he’s all in, hoping for the big score that will let him retire. There’s a possibility that one of the three is the elusive Sombra, a mysterious drug lord living high in the Andes among the Logui people who reportedly pays no bribes and extorts no officials. Bluestone is skeptical. “In my experience, tales of the moral principles of drug legendaries are bullshit. On the opposite end of the spectrum, stories of their violence are underestimated.” You wonder how he’s survived.
Throughout the story, Bluestone’s friends and confidants and fixers and what-have-you are murdered by one cartel or the other, yet Bluestone soldiers on, seemingly unaffected by the death and destruction that follows in this wake. Over the course of the narrative, he develops a theory about who Sombra is (one I did not share), and you may figure out rather quickly the true identify of a couple of key characters.
The huge amounts of cash sloshing around and the casual way in which they were handled, the wholesale murder, and the efforts to obtain for drug traffickers the lightest possible sentences exposed a moral vacuum at the heart of this novel that makes it difficult to care about the protagonist or his supposedly clever doings. It’s quite a contrast to the perspective on the destructive wake of the cartels (in Mexico this time) of Don Winslow’s excellent The Cartel.… (más)