Guerino Mazzola
Autor de The Topos of Music: Geometric Logic of Concepts, Theory, and Performance
Sobre El Autor
Créditos de la imagen: Guerino Mazzola [credit: A.J. Wattamaniuk]
Series
Obras de Guerino Mazzola
Comprehensive Mathematics for Computer Scientists 1: Sets and Numbers, Graphs and Algebra, Logic and Machines, Linear… (2004) 28 copias
Comprehensive Mathematics for Computer Scientists 2: Calculus and ODEs, Splines, Probability, Fourier and Wavelet… (2004) 16 copias
Cool Math for Hot Music: A First Introduction to Mathematics for Music Theorists (Computational Music Science) (2016) 7 copias
Musical Creativity: Strategies and Tools in Composition and Improvisation (Computational Music Science) (2011) 5 copias
The topos of music. geometric logic, classification, harmony, counterpoint, motives, rhythm / I, Theory (2017) 5 copias
Musical Performance : A Comprehensive Approach: Theory, Analytical Tools, and Case Studies (2010) 3 copias
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 1947
- Género
- male
- Nacionalidad
- Switzerland
- Lugares de residencia
- St. Paul, Minnesota, USA
Dübendorf, Switzerland - Educación
- University of Zurich
- Ocupaciones
- mathematician
musicologist
jazz pianist
author - Organizaciones
- University of Minnesota
Society for Mathematics and Computation in Music
University of Zurich
ETH Zurich
American Mathematical Society
Swiss Mathematical Society (mostrar todos 9)
IEEE Computer Society
German Society for Music Psychology
Internet Institute for Fundamental Research in Music
Miembros
Reseñas
John Roeder: Perspectives of New Music, Vol. 31, No. 2, Summer, 1993
http://www.jstor.org/stable/833391
http://www.jstor.org/stable/833391
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 16
- Miembros
- 110
- Popularidad
- #176,729
- Valoración
- 3.3
- Reseñas
- 2
- ISBNs
- 35
- Idiomas
- 2
The math is advanced, and so is the obscurity of the encyclopedic and voluminous prose. This is a pity, since Mazzola makes a number of fascinating and deep observations. Fighting through the dense, barely edited, text to find these gems, however, is an activity best left to the most masochistic of PhD candidates in music theory, especially given the heft and price of the book.