Marie Majerová (1882–1967)
Autor de Robinsonka
Sobre El Autor
Obras de Marie Majerová
Havířská balada 3 copias
Čarovný svět 3 copias
Veselá kniha pohádek 2 copias
Zauberwelt des Märchens 1 copia
Cesta blesku 1 copia
Čudežna urica 1 copia
Devištvo 1 copia
Vesela kniha zviratek 1 copia
Plané milování 1 copia
Nejkrásnější svět 1 copia
Urbo sub signo de fajro 1 copia
Dvanáct měsíčků [Zwölf Monde] 1 copia
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 1882-02-01
- Fecha de fallecimiento
- 1967-01-16
- Género
- female
- Nacionalidad
- Czechoslovakia
- Lugar de nacimiento
- Uvaly, Bohemia, Austro-Hungarian Empire
- Lugar de fallecimiento
- Prague, Czechoslovakia
- Lugares de residencia
- Budapest, Hungary
- Educación
- Sorbonne (1906-1907)
- Ocupaciones
- Author
novelist
short story writer
children's author - Organizaciones
- Communist Party of Czechoslovakia
- Biografía breve
- Marie Majerová was born in Úvaly in Bohemia, now part of the Czech Republic, to working-class parents, and grew up in Kladno. At age 16, she began working as a domestic servant in Budapest but went on to complete her education in Prague, Paris and Vienna. She joined the Czechoslovak Communist Party at its inception in 1921 and was also involved in the feminist movement. In 1907, she published her first collection of stories, Povídky z pekla a jiné (Stories from Hell and Other Stories) and a novel, Panenství (Maidenhood), which was adapted into a 1937 Czech film (English title Virginity). She also wrote fiction for children, including The Miraculous Hour (1923) and the novels Bruno (1930) and A Girl Robinson (1940).
Her epic, multigenerational novel Siréna (The Siren) was the basis of a 1947 film (English title The Strike). She was married twice: first to Josef Stivín, a journalist, and then to Slavoboj Tusar, a graphic artist. She's considered one of the founders of socialist realism in Czech literature.
Miembros
Reseñas
Estadísticas
- Obras
- 18
- Miembros
- 44
- Popularidad
- #346,250
- Valoración
- 3.5
- Reseñas
- 1
- ISBNs
- 1
Havířská balada - tematicky na Sirénu navazující. V každém ze tří relativně uzavřených oddílů prózy nechává mluvit jiného vypravěče.Osud dělnického manželského páru je tak osvětlen z několika zorných úhlů.