Fotografía de autor
6+ Obras 232 Miembros 3 Reseñas

Sobre El Autor

Obras de Aemilia Lanyer

Obras relacionadas

The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contribuidor — 1,269 copias
The Penguin Book of Renaissance Verse: 1509-1659 (1992) — Contribuidor — 286 copias
Kissing the Rod: An Anthology of 17th-Century Women's Verse (1988) — Contribuidor — 103 copias
Masters of British Literature, Volume A (2007) — Contribuidor — 21 copias

Etiquetado

Conocimiento común

Otros nombres
Bassano, Aemilia(birth)
Lanier, Emilia
Fecha de nacimiento
1569
Fecha de fallecimiento
1645
Género
female
Nacionalidad
UK
Lugares de residencia
London, England, UK
Ocupaciones
poet
Biografía breve
Aemilia Lanyer (or Lanier) was the first Englishwoman to assert herself as a professional poet. She was the daughter of a Venetian musician, Baptist Bassano, and an English musician, Margaret Johnson. Her parents, who were not married, performed at the court of Queen Elizabeth I. Her father died during her childhood, and after the death of her mother in 1587, Aemilia became the mistress of Henry Carey, Lord Hunsdon, the queen’s first cousin and Lord Chamberlain. The couple had at least one child. In 1592, Aemilia married Alfonso Lanyer or Lanier, a musician and soldier, but the marriage is said to have been unhappy. Aemilia Lanyer mixed in the social circle of William Shakespeare and may have had a romantic liasion with the popular astrologer Simon Forman, which has led to speculation that she was the "Dark Lady" of Shakespeare's sonnets. She wrote and published the lengthy religious poem Salve Deus Rex Judaeorum (1611), which included a prose address dedicated to Margaret, Countess of Cumberland, who had commissioned the work. In the work, she lectures women who are not loyal to other women and calls for the rights of women. With the death of her husband in 1613, Aemilia set up a school in London, but was arrested for non-payment of debts in 1619. Not much else is known about her life.

Miembros

Reseñas

Four stars for the poetry, 1.5 for the essay by Rowse.

The poetry itself was sometimes radical and repetitive, with both simple and complex imagery, stunningly beautiful in places, harsh and bitter in others. The wealth of dedications is rather off putting and I came to think of it as a reminder to misogynist male readers that there are many many virtuous women who are far better than them. Eve's Apology is a fascinating approach to original sin and the image of the Risen Christ as a masculine snow white beauty was unexpectedly sexualized, fitting well with repeatedly images of him as the Bridegroom. (Apparently the H in Jesus H Christ stands for hottie!).

While pleased that Rowse provides biographical
Information (not without many layers of interpretation and assumption) and got this edition published, he's firmly mired in the first half of the 20th century as far as criticism is concerned, despite the publication date of 1979. Looking forward to reading scholarship that focuses on Lanier's work and not Rowse's desire to cast her as the object of Shakespeare's love and loathing in the Dark Lady sonnets.
… (más)
 
Denunciada
kbellwether | otra reseña | Apr 16, 2018 |
I am not a huge Aemilia Lanyer fan. I read this for a poetry class in college. As for this edition, it's excellent. Not only does it have her poetry, but includes a brief history of her and her era. As for her poetry, I did not enjoy it. However, poetry is so subject, I won't say it was bad poetry - just not my sort. But if you want to give her poetry a whirl, this is a good book to start with.
 
Denunciada
empress8411 | Jan 21, 2014 |
Solves the riddle of The Dark Lady in Shakespeare's Sonnets.
 
Denunciada
JayLivernois | otra reseña | Apr 2, 2010 |

También Puede Gustarte

Autores relacionados

Estadísticas

Obras
6
También por
4
Miembros
232
Popularidad
#97,292
Valoración
3.8
Reseñas
3
ISBNs
11

Tablas y Gráficos