Rickie Lee Jones

1 Show Biz Kids
Piano, Backing Vocals – Joe Jackson
Written-By – Donald Fagen, Walter Becker
4:34
2 Trouble Man
Written-By – Marvin Gaye
5:11
3 For No One
Piano – Joe Jackson
Written-By – John Lennon, Paul McCartney*
2:32
4 Smile
Written-By – Charlie Chaplin, Geoffrey Parsons, John Turner (2)
1:48
5 Low Spark Of High Heeled Boys
Piano – Ben Folds
Written-By – Jim Capaldi, Steve Winwood
5:12
6 On The Street Where You Live
Written-By – Lerner & Loewe
3:28
7 I Can't Get Started
Written-By – Ira Gershwin, Vernon Duke
4:29
8 Up A Lazy River
Backing Vocals – Ben Folds, Dan Hicks, Taj Mahal
Written-By – Hoagy Carmichael, Sidney Arodin
2:49
9 Someone To Watch Over Me
Written-By – George Gershwin, Ira Gershwin
2:02
10 Cycles
Written-By – Gayle Caldwell
3:16
11 One Hand, One Heart
Piano, Backing Vocals – Joe Jackson
Written-By – Leonard Bernstein, Stephen Sondheim
1:57
Credits:
Acoustic Bass – Michael Elizondo*, Paul Nowinski, Richard Davis (2)
Acoustic Guitar – John Pizzarelli
Acoustic Guitar, Electric Guitar, Organ, Vocals – Rickie Lee Jones
Bass Clarinet – Jeff Dellisant*
Drums – Carl Allen, Peter Erskine, Rick Marotta
Organ – Bruce Brody
Percussion – Bashiri Johnson
Producer – Bruce Brody, Rickie Lee Jones
Saxophone – Alex Foster
Trombone – Conrad Herwig… (más)

1-1 Nobody Knows My Name
Drums – Bernie Larsen
Percussion – Rickie Lee Jones
Written-By – Cantelon*, Atanasoff*, Jones*
3:24
1-2 Gethsemane
Backing Vocals – Lee Cantelon, Peter Atanasoff
Written-By – Atanasoff*, Jones*
2:23
1-3 Falling Up
Acoustic Guitar – Pete Thomas, Rob Schnapf
Guitar – Steve Abagon
Synthesizer [Moog] – Rickie Lee Jones
Written-By – Atanasoff*, Jones*
4:39
1-4 Lamp Of The Body
Keyboards – Rickie Lee Jones
Written-By – Atanasoff*, Jones*
2:57
1-5 It Hurts
Backing Vocals – Lee Cantelon, Peter Atanasoff
Synthesizer – Bernie Larsen
Written-By – Atanasoff*, Jones*
3:45
1-6 Where I Like It Best
Written-By – Cantelon*, Atanasoff*, Jones*
5:44
1-7 Tried To Be A Man
Backing Vocals – Lee Cantelon, Rob Schnapf
Guitar, Percussion – Rickie Lee Jones
Lead Guitar, Backing Vocals – Peter Atanasoff
Written-By – Jones*
3:44
1-8 Circle In The Sand
Backing Vocals – Lee Cantelon, Peter Atanasoff
Written-By – Larsen*, Cantelon*, Atanasoff*, Jones*
Xylophone [Toy], Finger Cymbals, Electric Piano [Wurlitzer] – Rickie Lee Jones
3:29
1-9 Donkey Ride
Finger Cymbals, Dulcimer [Bowed], Tambourine – Rickie Lee Jones
Written-By – Atanasoff*, Jones*
2:52
1-10 7th Day
Guitar, Dulcimer, Electric Piano, Electric Bass, Percussion – Rickie Lee Jones
Trumpet – Jonathan Stearns
Written-By – Jones*
3:59
1-11 Elvis Cadillac
Electric Bass, Percussion – Rickie Lee Jones
Written-By – Atanasoff*, Jones*
3:57
1-12 Road To Emmaus
Oud – Peter Atanasoff
Percussion – Rickie Lee Jones
Written-By – Cantelon*, Atanasoff*
4:18
1-13 I Was There
Guitar, Keyboards – Rickie Lee Jones
Written-By – Jones*
8:21
Credits:
Artwork By [Collage, Selfportrait] – Rickie Lee Jones
Bass, Electric Bass – Joey Maramba (tracks: 1 to 8, 10)
Drums – Jay Bellerose (tracks: 2, 6 to 8), Joey Waronker (tracks: 3, 5, 10)
Guitar – Bernie Larsen (tracks: 1, 4, 5, 8,), Peter Atanasoff (tracks: 1 to 9, 11, 12)
Vocals – Rickie Lee Jones… (más)

The author, a unique voice in American music, transcends a rough childhood and a heroin habit, and writes a memoir as lyrical as her poetic songs of street life and its denizens. She grows up amid fractured parents and siblings, and the turning point is when Rickie emancipates herself and takes to the road as a fourteen year old runaway in a stolen car. Time and time again, she is saved by sympathetic strangers, by a kind policeman, by her mother, and by Tom Waits, Lowell George, and Dr. John, the unholy trio of her life. Rickie's dramatic and unlikely rise to sudden stardom does not destroy her, and the reader will be convinced of her heroism in surviving and coming out the other side with wisdom and grace. The book is filled with poignant photos and song lyrics.

Quotes: "Music, in hippie culture, was like payment for food or a place to crash."

"My Beatles-inspired technique was to own what men seemed entitled to and take for granted."

"There was only one chair left for women musicians at the big table, whereas the boys-only room had plenty of empty chairs."

"I was aware before I even made a record of the danger of being used up too fast."

"Musicians rarely enjoy playing hometowns where we are forever trying to prove something."… (más)