James Hynes (1) (1955–)

In this vivid, sympathetic story of an enslaved child in the Christian Roman world, the author explores the power imbalances of sex work and slavery that kept the Roman empire functioning. The narrator notes that (paraphrasing Tacitus) "the Romans created a wasteland and called it a peace. The entire empire is a mosaic of rape and murder and bastardy and forced labour, of which I am only one insignificant, dull-coloured fragment, off to the side, at the very edge. Insignificant, perhaps, but also representative." Recommended for all libraries.… (más)

This is a very vivid depiction of the life of a slave in first century Roman empire. He is raised in a brothel, raised by the "volves", i.e. the whores who live and work there. The depiction of their lives is vivid and dispiriting and yet they establich a social support system and try to maintain some sense of dignity. There are a number of scenes which evoke the grim and dehumanizing aspects of their work, and while it is profane, it is not pornographic.
The book positions the benevolence of one of the wolves (who sort of adopts him) with the hard nosed realism of another who, tho she is a prostitute, is a freed woman. In the end, the wish for freedom is unvanquished, even though freedom is never attained.… (más)

More like 4.5 stars. Sparrow isn't really a literary or artistic masterpiece—honestly, far from it. But Hynes is a true master of the construction of a novel, and a difficult one at that, as this story is truly the definition of a "slow burn". Very few things happen in the first quarter of the novel, and the author has a lust for description that can get a bit plodding ("Can he just come already? incarnate; not Anne Rice level but just about.). I found Sparrow's greatest strength in its worldbuilding and characterization.

Sparrow is the story of a young (potentially Syrian, potentially Jewish) boy sold into slavery as a baby and raised with the "wolves" of Helicon, one of the last brothels left in Roman Spain in the waning days of the Empire. Unnamed and often beaten, Sparrow (as he calls himself) is quickly forced to grow up beyond his years. Eventually made to work upstairs with the women who raised him, Sparrow quickly begins to break down, beaten by the institutions of slavery, sex, and physical labour.

If you couldn't tell, this story is uncomfortable. Deeply. It's in some ways what makes it such a compelling read. In what world would being a sex slave not be horrific? With a similar premise and setting to The Wolf Den trilogy, Sparrow is the grittier, more realistic, and more heartbreaking twin of the pair. I read this book continuously for several days, pushing myself through it despite the many times I thought it'd be better to just shelve it for the night. The novel does an excellent (maybe even too excellent) exploration of the violence of being entered against your will, describing the breaking down of the psyche and constant dissociation that must occur to survive these inhuman practices.

I don't get squeamish easily and that extends to sex, but Jesus Christ. It felt as if sometimes the story veered into the trauma porn for the amount of bullshit and level of graphic description, but God, that's just life, right? I will concede my own history of PTSD and sexual assault are involved in my unease, so if that sounds like you just be aware it's a bit intense. Yugh.

Perhaps (okay definitely) showing my biases, I was often surprised that it was a man who wrote this; the story is so much about the psyche of women under some of the cruelest uses of their body by men that I've definitely been changed for the better. Hynes writes as I would expect a woman to, and I guess I must relinquish my expectation of writing by gender. Hynes is brilliant at it, and all the ugly sex-specific gunk that makes women's psyche so raw is included. Great great additions all around.

Lastly, contrary to the tagging on this site, this novel is not what I would characterize as LGBT or even maybe a queer story. There are definitely themes granted the premise, but they are dark and small compared to the greater story of systematic dehumanization in slavery and what it meant to be a male prostitute at the time. Our titular character is what people would describe today as bisexual, but—I can't iterate this enough—this is not a romance, and there are very few scenes of "self-discovery." The novel ends with the character at around the age of 13 after years of forced prostitution... It's realistic, which makes it so uncomfortable, but sexuality is not the backbone of this story in any meaningful way.

Anyway, I loved this book. LOVED it. It didn't make me think too hard and instead was just a captivating, moving, (eventually) thrilling story. Because of how much I loved it, I'm worried the marketing for it is really failing to capture the usual audience I think would love this—unfortunately, I think the book having an author with such a masculine name like James will turn the usual feminist readers of this sort of story away. It sounds insane but the industry is wild.… (más)